“The songs give a detailed description of him, though.” Sootbird gave Fenoglio a searching look.
“So they do!” Baptista leaped to his feet, put his hand to his shabby belt as if he wore a sword there, and peered around as if looking for an enemy. “He’s said to be tall. That’s no surprise.
Heroes usually are.” Baptista began prowling up and down on tiptoe. “His hair,” he said, stroking his own head, “is dark, dark as moleskin, if we’re to believe the songs. Now, that’s unusual. Most heroes have golden hair, whatever you take golden hair to look like. We know nothing about his origins, but one thing’s for sure” – and here Baptista assumed a haughty expression “none but the purest princely blood flows in his veins. How else would he be so brave and noble?”
“No, you’re wrong there!” Fenoglio interrupted him. “The Bluejay is a man of the people. What kind of a robber gets born in a castle?”
“You heard the poet!” Baptista looked as if he were wiping the haughtiness right away from his brow with his hand. The other men laughed. “So let’s get to the face behind the feathered mask.”
Baptista ran his fingers over his own ruined face. “Of course he’s handsome and distinguished –
and pale as ivory! The songs don’t say so, but we know that a hero’s skin is pale. With due respect, Your Highness!” he added, bowing mockingly to the Black Prince.
“Oh, don’t mind me! I’ve no objection!” was all the Prince said, his expression unchanged. “Don’t forget the scar!” said Sootbird. “The scar on his left arm where the dogs bit him. It’s mentioned in every song. Come along, roll up your sleeves. Let’s see if the Bluejay is by any chance here among us!” He looked challengingly around him, but only the Strong Man, laughing, pushed up his sleeve. The others sat in silence.
The Prince smoothed back his long hair. He had three knives at his belt. The strolling players, even the man they called their king, were forbidden to carry arms, but why should they keep laws that failed to protect them? Folk said the Prince was so skillful with a knife that he could aim at the eye of a dragonfly and hit it. Just as Fenoglio had once written.
“Whatever he looks like, this man who’s making my songs come true, I drink to him. Let the Adderhead search for the man I described. He’ll never find him!” Fenoglio raised his goblet to the company. He was feeling in the best of moods, almost intoxicated, and certainly not with the terrible wine. Well, he thought, and who says so, Fenoglio? You do! You write something, and it comes true! Even without anyone to read it aloud…
But the Strong Man spoiled his mood. “To be honest, Inkweaver, I don’t feel like celebrating,” he growled. “They say the Adderhead is paying good silver these days for the tongue of every minstrel who sings songs mocking him. And they also say he has quite a collection of tongues already.”
“Tongues?” Instinctively, Fenoglio felt his own. “Does he mean my songs, too?”
No one answered him. The men said nothing. The sound of a woman singing came from a tent behind them – a lullaby as sweet and peaceful as if it came from another world – a world of which one could only dream.
“I’m always telling my Motley subjects: Don’t go near the Castle of Night!” The Prince put a piece of meat dripping with fat in the bear’s mouth, wiped his knife on his trousers, and returned it to his belt. “To think that we’re just food for crows to the Adderhead – mere carrion! But since the Laughing Prince took to weeping instead of laughing, they’ve all had empty pockets and empty bellies. That’s what sends them over there. There are many rich merchants in Argenta, far more than on this side of the forest. It’s not for nothing they call it the Silver Land.”