Evelyn turned to her husband. “Al?”

Gamache sat across from the couple and waited for the answer.

He’d been on the bench with Ruth and Monsieur Béliveau when the vehicles drew up to the old railway station.

He’d been trying to absorb the news that John Fleming was once in Three Pines. Was in fact Gerald Bull’s project manager. In a slight daze he watched Beauvoir and Lacoste get out of the car with Al Lepage, while Clara and Evie climbed out of the pickup truck. Evie ran to her husband’s side while Clara hesitated, then walked back to her home.

Gamache turned back to Ruth and Monsieur Béliveau.

“When you sent John Fleming his way, did you know who Al Lepage really was?”

He hadn’t directed the question specifically to either one, but both nodded.

“You helped him across the border.” It was a statement, not a question, and once again, they nodded.

“It was 1970,” said Monsieur Béliveau. “We were involved in the peace movement, working to get draft dodgers across. We were approached about a special case.”

Ruth was silent, her thin lips all but disappearing.

“You didn’t approve?” asked Gamache.

“I was conflicted,” she said. “I couldn’t decide if I thought Frederick Lawson was also a victim of the war or a psychopath.”

“A conflict,” said Monsieur Béliveau with a small smile. “Your own civil war.”

Armand knew if he’d said such a thing Ruth would have lashed out at him, but with Monsieur Béliveau, Clément, she accepted what he said.

“Because I wasn’t sure, and he hadn’t been convicted, I didn’t feel I could refuse,” said Ruth. “But it didn’t mean I had to like it. Or him.”

“It helped that we didn’t have television at the time. The signal didn’t make it into the valley,” said Monsieur Béliveau. “We’d read the reports of the atrocity in the newspapers and seen the photographs, but it wasn’t until years later that we saw the newsreels.”

“If you’d seen film of the Son My Massacre,” Armand asked, “would you have helped Frederick Lawson find sanctuary here?”

“We’ll never know, will we?” Monsieur Béliveau looked at the tree-covered mountains. “We set him up in the boardinghouse. It’s now the B and B.” He gestured toward Olivier and Gabri’s place. “And helped him get work singing at local boîtes à chansons.”

“He changed his name,” said Ruth. “No one else knew who he really was and what he’d done. But we did.”

“So when it came time to throw someone to the wolf you chose him?” asked Armand.

“Is that really necessary, monsieur?” asked Monsieur Béliveau.

“It’s all right, Clément. He’s just speaking the truth.” She turned back to Armand. “Al Lepage or Frederick Lawson or whatever he chose to call himself was already damned. What I hadn’t counted on was that in doing it, I was too.”

“That’s not true, Ruth,” said Monsieur Béliveau.

“But it is. We both know it. I sacrificed him to save myself.”

“Who hurt you once so far beyond repair,” said Gamache, quoting her most famous poem.

“So far beyond repair,” Ruth repeated. She looked at Gamache and almost smiled. “I was nice once, you know. And kind. Perhaps not the most kind, or the nicest, but it was there.”

“And still is, madame,” said Armand, stroking Rosa. “At your core.”

He got up and excused himself. Lacoste and Beauvoir needed to hear about this. He arrived at the Incident Room just as Lacoste was placing the ten lamb drawings down the center of the conference table, facing Laurent’s parents.

Armand caught her eye and she came over, followed by Beauvoir.

“I was just speaking with Ruth.”

“Yes, we saw,” said Beauvoir. “And Monsieur Béliveau.”

“She knew about the drawing of the Whore of Babylon. She’s the one who recommended Al Lepage for the job.”

He told them what he’d discovered and then, from his breast pocket, he brought out the black-and-white photograph of the three men.

Isabelle and Jean-Guy looked at the familiar picture, then at him. Waiting.

“Gerald Bull had a man with him when he was here working on Project Babylon. A man he introduced as his project manager.”

Gamache tapped the photograph. “This man. Ruth recognized him.”