The Novel Free

Bone Music



The lawyer’s penetrating glare is on her now and not Marty.

“I don’t know,” she says, averting her eyes. “I’m almost out.”

“And you’ve got big plans for the ones you have left?” Kayla asks.

“Let’s take this one step at a time,” Charlotte says, forcing herself to look into Kayla’s eyes again.

“Uh-oh,” her lawyer says with a half smile. “Looks like someone’s been bit by the superhero bug.”

“You believe me, Charley?” Marty asks.

“I believe you’re right—we have to be sure. And even if it’s bullshit, I won’t mind hearing an apology out of Luke Prescott’s mouth. The guy was a real jerk.”

“Still, try not to break his neck or throw him into a tree.”

“I won’t be able to if he doesn’t attack me,” Charlotte says.

Marty stands.

“Now?” Kayla asks. “You’re gonna head out now?”

“Better to arrive in the dark, when most of the town’s asleep,” he says. “As for me, I probably won’t be sleeping for the next five years anyway, so . . . You ready, Charley?”

She hadn’t thought it all the way through, but she’s relieved to have an objective, a direction. And after the dislocation of the past twenty-four hours, the prospect of some kind of homecoming, a return to the familiar, slows her heart rate some, makes her feel as if she’s coming to rest on something soft.

So she stands, too.

And then Kayla stands, and suddenly the three of them are staring at each other as if they all feel like they’ve forgotten some important piece of business. But Charlotte can tell the desire to keep moving is strong in all of them, driven in no small part, she fears, by a desire to leave all the dread that seems to radiate from this little prison of a house.

“All right,” Kayla says, clearing her throat. “I guess I’ll head back to the city. See if whoever’s investigating the biker blast has made any noise about your house.”

“Thank you. Seriously, Kayla, I can’t thank you enough for what you’ve done.”

“Well, when you see my bill, maybe you’ll feel differently.”

“Jesus Christ,” Marty grumbles. “Really?”

“No. Not really.” Kayla rolls her eyes. “But don’t thank me yet. I’m not done. None of us are.”

She hugs Charlotte quickly but firmly, as if she fears committing to the embrace fully will unleash some storm of further emotion that will do them all in. She offers a smile. She’s halfway out the door when Charlotte says, “Call me when you get home safe.”

“On what?” Kayla asks. “Jason’s burner? No, thanks. I don’t call dead people.”

“Call me,” Marty says. “I’m listed.”

“Let’s not move too fast, Marty.” As Kayla pulls the door shut behind her, she points to the electronic peephole viewer on the wall next to her. Marty steps forward, makes sure the door closes all the way, and watches as she makes her way to her BMW.

“You two would make a cute couple,” Charlotte says.

“Yeah, we’re a regular Mothra and Godzilla.”



18

“This is a mistake, Cole.”

Cole looks at the paper cup of coffee trembling in the armrest next to him. He’s pretty wired already, so maybe his director of security is right. Maybe he should lay off the caffeine. But surely that’s not what Ed means. The man wouldn’t care if Cole were guzzling whiskey on the way to this meeting.

It’s the meeting he objects to.

And he’s probably also a little pissed Cole refused to let several well-armed members of their private security team travel alongside them in the leather-upholstered passenger compartment of this spacious helicopter. But he’d never say so directly. Ed’s nothing if not loyal, one of the only holdovers from his father’s era who’s never treated Cole with anything less than respect.

He’s a giant of a man, a former deputy chief for the LAPD who headed up their counterterrorism and special operations bureaus before entering the far more lucrative world of private security. His shiny bald dome reflects the morning sunlight streaming through the panoramic windows with such intensity Cole’s afraid to remove his sunglasses. Because the man’s mouth rarely changes from a thin, determined line, Cole’s left with no choice but to view the slight grimace Ed’s worn since they took off as a sign the man’s truly afraid of what Dylan might be capable of.

“Are they in place?” Cole asks.

“We’ll have snipers north and south.”

“Not east and west?”

“West of the site’s mostly flat wash with a slight downhill grade until you get to the freeway. Nearest mountains are way too far from the site to have any good perches. Same situation to the east. Also, never a good idea to have snipers staring right into the sun. And given that it’s Arizona, the nearest tree is probably in Flagstaff.”

“Or Sedona. Strike team?”

“Fifteen minutes out. Best we could do given the absence of cover. Which I imagine might be why he picked the place. He’s got a Special Forces background aside from being a mad genius, right? Might explain some of what’s in here.”

He pulls a stack of pages from his canvas briefcase. It’s held together with a giant paper clip, which tells Cole it was printed out just before they took off from downtown San Diego. Whatever’s in it, his security director didn’t want to share it over e-mail.

Good call, he thinks as soon as he starts reading.

It’s confidential information about the biker massacre in the middle of the Arizona desert. There are some initial police reports from the first investigators to arrive on scene; reports pulled off law enforcement servers the public would like to think are a lot more secure than they actually are. They’re followed by a transcript made up of a series of fragmented conversations. The name of the person speaking is provided wherever possible, but in most cases, the hackers made educated guesses, such as Officer 1, Possible ATF Agent, as they dipped in and out of the mobile devices being carried by the investigators on scene, eavesdropping for as long as they could before the cyberdefenses of whatever telecommunications company they’d penetrated got wise to their presence.

This is one of only a few instances in which Cole’s ordered the off-the-books digital services team of their private security contractor to hack into the mobile phones of strangers. He doesn’t even know the company’s name, and Ed insists they keep it that way. Plausible deniability and all that. But in those other instances, he’d been out to disprove rumors that former employees had stolen proprietary science. And he had, sparing the targets a great deal of trouble and jail time and God knows what other ruin the board would have elected to unleash on them. In other words, he’d used evil for good. Now he’s using it because lives have been lost.

Ed’s highlighted chunks of the transcript in green.

Cole holds up a page marked by four different highlights so Ed can see it. “What’s the theme?”

“Officers and agents on scene speculating bikers couldn’t have pulled it off. They used words like mercenary, Special Forces. Special ops. Trained killer. All words that could be associated with Dylan Cody’s background. The explosion knocked most of the guys flat, broke some bones on the others, but only killed a few of them. The rest of the work was close-range gunshots.”

“But there’s no mention of Dylan.”

“Unless you consider rapid-fire, close-range gunshots delivered minutes after a C-4 explosion to be part of his skill set.”

“It is. Any ID on the bikers in the video he sent?”

“One of ’em. The one who got a shotgun blast through his middle did fifteen years for aggravated rape. He has a long-standing relationship to the crystal meth community in the American Southwest.”

“Huge surprise. And the girl?”

“We think it’s an alias.”

“An alias?”

“We matched her image to an Arizona driver’s license photo for a woman named Charlotte Rowe, but Charlotte Rowe only popped into existence about a year ago. I want them to keep looking before I show you anything.”

“I could still use a preliminary report.”

“They do better work when they think you’re waiting. And losing patience.”

“All right, I trust you.”

Ed nods. It’s the closest they’ll ever have to a tender moment.

“I want the strike team rolling in when we land.”

“Cole—”

“I don’t want them to strike, Ed. I just want a show of force.”

“You want them rolling in right as we set down next to the building he’s sheltering in? That could be chaos, Cole.”

“Pageantry, Ed. The word is pageantry.”

“Fine. You’re the one who knows what this guy’s capable of.”

Ed’s baiting him.

He doesn’t bite.

Ed begins tapping instructions into his mobile phone.

“So wherever this place is,” Cole asks, “it’s not exactly the middle of nowhere?”

“It’s close,” Ed answers. “Just a little ways north of Tucson.”

“I imagine Tucson would object to being depicted as the middle of nowhere.”

“I don’t know. I’ve got an aunt there, and she says that’s exactly the appeal. Any idea why he picked this place?”

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