Coach rings the doorbell and soon a white-haired couple answers.
“Timothy!” The old woman is wearing a black dress. She wraps her arms around Coach’s neck so that he has to bend over. “Thank you so much for coming.”
“Pleasure, Ms. Allen.”
Mr. Allen—who’s wearing a gray suit—shakes Coach’s hand very formally and says, “Thank you again for what you said at the funeral. You’re a poet, a good friend, and a kind soul.”
“I only spoke the truth,” Coach says. Everyone’s eyes are suddenly glistening. “This here’s Finley McManus. One of the finest young men on my ball squad. Good people here. I promise you that.”
I’m a little embarrassed by Coach’s introduction, but I’m also a little proud.
Mr. Allen looks at me and says, “Thanks for coming.”
I know Mr. Allen is probably surprised that I’m white, but that doesn’t bother me. I’d probably be surprised if I were him too. Actually, I’m surprised that Coach picked me for this job. I’m not a therapist, nor do I have much in common with the Allen family at all. They’re probably thinking I won’t be able to relate to their grandson, that I might even be a liability for him in the new neighborhood, and I completely agree. Black kids with white best friends are not common in Bellmont. Maybe that’s blunt, but I’ve found that being blunt sometimes makes life easier for everyone.
“Come in,” Mrs. Allen says.
8
IT’S AIR-CONDITIONED INSIDE.
Pictures of Jesus hang all around the house. Jesus cuddling lambs. Jesus in a garden. Jesus wearing a purple robe. The furniture is very old, but the rooms are the cleanest I’ve ever been in. Everything wooden is polished, the rugs are fluffy and freshly vacuumed, and you couldn’t find a single speck of dust even if you moved around the picture frames. It’s like being in a museum, compared to our messy man-house.
I’m sitting next to Coach on the couch when Mrs. Allen hands me a glass of lemonade.
“So where’s Russ?” Coach says.
“Up in his room,” Mr. Allen says. “I’m afraid I couldn’t get him to come down. I told him you were coming, but, well, you see”—he lowers his voice here—“the social worker told us that we shouldn’t push the boy just yet, but let him acclimate to the new setting, so—”
“Would you go up and talk with him?” Mrs. Allen asks me.
She’s a tiny thin lady, but her eyes are forceful, piercing, so I simply nod because I always do what my elders ask of me. That’s how Pop and Dad raised me.
“Might as well let the boys meet,” Mr. Allen says a little too hopefully, as if he’s trying to hide his true expectations, but maybe I’m just being paranoid.
“You okay with that, Finley?” Coach says, resting his hand on my shoulder again.
I nod.
A good ball player always listens to his coach, especially when his coach is as smart as mine.
“Upstairs, second door on your left,” Mrs. Allen says.
I place my glass on a coaster and stand.
“Did you tell him about the outer-space fixation?” Mr. Allen says to Coach.
When I give Coach a questioning glance, he says, “Go on upstairs, Finley. Say hello. Okay?”
I wonder what any of this has to do with outer space, but Coach’s eyes beg me not to ask him anything in front of the Allens, so I don’t.
As I walk across the room and make my way to the stairs, I can feel my elders watching me, but once I’m out of sight I go slowly and study the pictures on the wall that leads up to the second floor, trying to figure out just what kind of a mess I’m in.
There are black-and-white pictures of Mr. and Mrs. Allen taken when they were young, and I recognize different corners of Bellmont even though the cars and clothing styles are outdated and the town looks much cleaner and safer.
There’s an old wedding picture and Coach is the best man; he’s rocking a huge Afro, wearing a powder-blue tuxedo, and looking more like my classmates than an adult, which makes me smile.
The photos of Boy21 begin when he was a baby and go all the way to the present day.
It’s obvious his family had money. His clothing looks expensive in all the school photos, and there are pictures of him and his parents taken in foreign places: in front of the Eiffel Tower and also that leaning tower in Italy—even one by those pyramids in Egypt.
I start to feel a little jealous of this kid, because I’ve never been anywhere but Bellmont and he’s been all over the world, which doesn’t really seem fair. Why is it that some people are born into fantastic situations and others wait their whole lives for a break?
Russell’s smiling nicely in all of the shots. He looks like a good kid, which makes it hard for me to hate him.
And then I see his high-school basketball team photo: He’s the only black kid. His squad’s wearing cool brand-new Nike uniforms, like a college team. They even have matching sneakers.
Maybe Coach knew that Boy21 was the only black kid on his team like I’m the only white kid on my team, and that’s why Coach picked me for this job.
But I also see Russ is wearing number 21—my number—and I can’t help but feel threatened.
At the top of the steps there are no more pictures. I walk down the hall, where an entire room’s contents are in boxes. I have to turn sideways as I pass a big chest of drawers and a desk. A mattress and bed frame are leaning against the wall.
Behind the only closed door in the hallway, someone is talking.
I put my ear up to the door and hear a man’s voice say, “Perseus! Perseus the hero! Slayer of Medusa! There you are, my friend! A road map to a new existence. Space is the place! Space is the place!”
Whoever is behind the door sounds absolutely insane.
But for Coach, I do as I was instructed to do.
Good basketball players execute the game plan.
Always.
I raise my fist and knock.
9
THE VOICE STOPS TALKING and after a long few seconds the door opens inward and I’m looking up at a shirtless man-child.
His body is incredible.
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