Now there are new sidhe-seers in Dublin, led by a woman not even Ryodan has been able to track. I’ve never felt so inept in my life. I want to rebuild my abbey. I want to fill the walls a thousand strong again. I want the strength of concrete without the price of it.

When I came here months ago, seeking Ryodan to repay my debt, he said a thing I’ve been unable to stop thinking about: Drop your blinders and raise the sewer to eye level; admit you’re swimming in shit. If you don’t acknowledge the turd hurtling down the drain toward you, you can’t dodge it.

I’ve come to get out of the toilet bowl and become the commode that flushes the shit.

The fragment of a Faery fire-world I prayed was responsible for the grass that grows tall and green beyond my bedroom window, directly above Cruce’s icy prison, is gone now, yet the meadow is more verdant than before, exploding with poppies, red, fat, bobbing, opium-drenched blossoms that drug my senses on warm evenings when the projection of a great, black-winged prince circles my bed.

I have warded him out of my tangle of linens with blood-magic, an art I’d sworn never to practice, a line I wouldn’t cross.

But it is no longer only myself I must protect.

Elaborate golden trellises have pushed up from the earth all over the abbey’s grounds, draped with black roses that reek of exotic spices and far-off lands.

Dozens of standing stones have appeared in the gardens, etched with symbols I can’t read. A pair of megaliths awaits a cover stone to become a dolmen. It makes me shiver when I pass.

Pearl benches frame a vast, brilliant, many-tiered fountain in which water sparkles as turquoise as a Caribbean sea.

Animals I’ve never seen before peek at me from trees fringed with lacy vines that grow strange beyond our walls, shedding brown bark for ivory threaded with silver, sprouting low-hanging canopies of sapphire leaves.

The floors in my section of the abbey are changing from stone to polished gold.

At night I hear male laughter echoing down our halls and corridors. The lights within our walls glow soft gold day and night, without electricity to source them. Our fires blaze, without wood to feed them. Our generators run only a small number of lamps. We removed the bulbs. Still they glow. Something unholy powers the rest.

Cruce is changing our home, taking it over, and I know it’s only a matter of time before the jailer is evicted by the jailed, Paradise lost.

We talk of it amongst ourselves but so far have said nothing to outsiders. This is our home, for many of us the only good one we’ve known. If we do not find a way to stop the transformation, we will be forced to leave.

Soon.

We are not yet ready to admit defeat.

If we are driven forth, who will watch the abbey? Will we sit idly beyond its walls, praying the prisoner never breaks free?

I cradle my belly with one hand protectively. I’ve not yet begun to show. I devote most of my energy to shielding it. I must secure our future.

When I reach the bottom of the glass stairs in the glass house that the concrete demon Ryodan calls home, he is waiting for me.

But of course.

“Why did you lie about Sean?” I ask him.

“I didn’t lie. You sewed my words into a cloth of your choosing. If you’ll recall, I urged you to talk to him that night. Had you heeded my advice, you would have known, soul mates and all, confiding everything.”

“Don’t mock me.”

“Don’t make it so easy.”

“You said you were collecting my debt from him.”

“I said I was willing to accept the replacement of a missing server as full payment, and let you off the hook.”

“And put me on another.”

“You chose to become the worm. A little conversation goes a long way, Katarina. You’ve still not told Sean that Cruce fucks you in your dreams.”

I say nothing and he laughs.

“Yet here you are. Seeking me again. Come for more answers to which you won’t listen. I only waste my breath once. Leave.” I remain where I am.

He sweeps me with that cool silver gaze and arches a brow. “Be very certain you know what you’re doing, Katarina,” he warns softly. “If you ask something of me, I will not stop until I feel the request has been satisfied. As I deem fit.”

I fix on two words he uttered. “You do not feel.”

“It’s you, my ever-serene cat, that fails to feel, denying at your own peril the hunger of your heart.”

“Nor do you know anything of the heart, mine or any others.”

“State your cause. I have pressing matters to attend.”

I stare up into the face of the man that does not exist, that according to my empathic senses is not even standing there, and choose my words with care. I can proceed with nothing less than one hundred percent commitment to my course, and am fully aware this path will make or break me. I wish I could predict which one it will be, but I’m untested, unproven.

I resist the urge to cradle my abdomen. I must not telegraph in front of this man. I must become something else. He has a bold hand and a sharp chisel. The clay has chosen the sculptor. This male, whatever he is, possesses power beyond my humble skills. He and his men know what I do not: how to protect what is theirs. They are ruthless and hard. And successful.

If I think to care for my charges, for my child, I must learn to be similarly successful.

“I’ve come to acknowledge the turd.”

He smiles. “It’s about time, Katarina.”

I suffered my father’s disappointment mere days after I was born, although at the time I didn’t know it for what it was, only that I was rejected and alone. As the years passed, his anger and disgust at the useless daughter he couldn’t barter away to further cement his position grew so oppressive, I learned to avoid him whenever possible. My mother’s greed and impatience, shallowness and fear, were my childhood companions.