“I see that you’re examining Percival,” said Anna, gesturing at the serpent. “Spectacular, isn’t he?”

She stood in front of the sash window, looking out as the sun sank behind the rooftops of London. Her dressing gown fell open about her long body, and beneath it Cordelia could see that she was wearing dark trousers and a sheer white gentleman’s shirt. It was unbuttoned to below her clavicle; her skin was only a shade darker than the whiteness of the shirt, and her hair, curling at the back of her neck, was the same black as James’s. Herondale black, the color of the wing of a crow.

“He’s certainly brightly colored,” said Cordelia.

“He was a love gift. I never do court dull girls.” Anna turned to look at Cordelia, the dressing gown sweeping around her like wings. Her features were not what Cordelia would ever have called pretty—she was striking, stunning, even. “Pretty” seemed too small and imprecise a word for Anna.

“Did that woman call you ‘sir’?” said Cordelia curiously. “Did she think you were a man?”

“Possibly.” Anna flicked her cigar into the fireplace. “Best to let people believe what they want to believe, in my experience.”

She threw herself onto the sofa. No braces held up her trousers, but unlike the men for whom they were tailored, she had hips, and the trousers hung from them, clinging close to her slight curves.

“Poor Evangeline,” said Cordelia, undoing the strap that held Cortana and leaning her sword against the wall. Settling her skirts about her, she sat down in one of the armchairs.

Anna sighed. “This is not the first time I have tried to break it off with her,” she said. “The last few times I was gentler, but as her wedding day drew near, I felt one must be cruel to be kind. I had never wanted her life ruined.” She leaned forward, her focus on Cordelia. “Now, Cordelia Carstairs—tell me all your secrets.”

“I think I’d better not,” said Cordelia. “I don’t know you very well.”

Anna laughed. “Are you always so straightforward? Why did you come to tea if you didn’t want to gossip?”

“I didn’t say I didn’t want to gossip. Just not about myself.”

Anna’s smiled deepened. “You’re a vexing little thing,” she said, though she didn’t sound vexed. “Oh! The kettle.”

She leaped up in a swirl of glimmering brocade and busied herself in the small kitchen. It had brightly painted walls and a small window that looked out onto the brick facade of the building opposite.

“Well, then, if you want to gossip but you don’t want to tell me about yourself, why don’t you tell me about your brother? Is he as awful as he used to be at school?”

“Did you go to school with Alastair?” Cordelia was surprised; surely Alastair would have mentioned it.

“No, James and Matthew and the rest of the Merry Thieves did, and Matthew says he was a miserable blighter and gave them all the pip. No offense meant. I admit, Thomas never says a bad word about him. Sugar? I haven’t any milk.”

“No sugar,” said Cordelia, and Anna whirled back into the parlor with tea in a chipped cup and saucer. She handed it to Cordelia, who balanced it awkwardly on her knees.

“Alastair is rather awful,” she admitted, “but I don’t think he means to be.”

“Do you think he’s in love?” Anna said. “People can be awful when they’re in love.”

“I don’t know who he’d be in love with,” Cordelia said. “He’s hardly had time to fall in love with anyone, since we’ve just arrived in London, and I doubt everything that’s happened has put anyone in a falling-in-love mood—”

“What did your father do, exactly?” Anna said.

“What?” Cordelia nearly spilled her tea.

“Well, we all know he did something dreadful,” said Anna. “And that your mother’s come here to try to ingratiate herself back into Shadowhunter society. I hope everyone won’t be too stiff-necked about it. I quite like your mother. She reminds me of a queen out of a fairy tale, or a peri from Lalla Rookh. You’re half-Persian, aren’t you?”

“Yes,” Cordelia said, a little warily.

“Then why is your brother so blond?” Anna asked. “And you so redheaded—I thought Persians were darker-haired.”

Cordelia set her cup down. “There are all sorts of Persians, and we all look different,” she said. “You wouldn’t expect everyone in England to look alike, would you? Why should it be different for us? My father is British and very fair, and my mother’s hair was red when she was a little girl. Then it darkened, and as for Alastair—he dyes his hair.”

“He does?” Anna’s eyebrows, graceful swooping curves, went up. “Why?”

“Because he hates that his hair and skin and eyes are dark,” said Cordelia. “He always has. We have a country house in Devon, and people used to stare when we went into the village.”

Anna’s eyebrows had ceased swooping and taken on a decidedly menacing look. “People are—” She broke off with a sigh and a word Cordelia didn’t know. “Now I rather feel sympathy toward your brother, and that was the last thing I wanted. Quick, ask me a question.”

“Why did you want to get to know me?” Cordelia said. “I’m younger than you, and you must know loads more interesting people.”

Anna rose, and her silk robe fluttered. “I must get changed,” she said, vanishing into the bedroom. She closed the door, but the walls were thin: Cordelia could hear her perfectly well when she spoke again. “Well, at first, it was because you’re a new girl in our set, and I was wondering if you were good enough for our Jamie or our Matthew.”

“Good enough for them in what sense?”

“Well, marriage of course,” said Anna. “Anything else would be scandalous.”

Cordelia sputtered. She heard Anna laugh. She had a soft, rich laugh, like melting butter.

“You are too much fun to tease,” she said. “I meant good enough to know their secrets—and Christopher’s and Tom’s as well. They are my special favorites, those four, you must have noticed. And, well, the current crop of girls in London is rather dire—of course, Lucie’s a delight, but she’ll never look at any of the boys as anything but brothers.”

“Seems sensible,” Cordelia murmured, “especially in James’s case.”

“They need a muse,” said Anna. “Someone to be inspired by. Someone to know their secrets. Would you like to be a muse?”

“No,” said Cordelia. “I would like to be a hero.”

Anna poked her head out of the door and looked at Cordelia for a long time from under her dark lashes. Then she smiled. “I suspected as much,” she said, vanishing back into the bedroom. The door banged shut. “That’s really why I asked you here.”

Cordelia’s head was spinning. “What do you mean?”

“We are in danger,” called Anna. “All of us, and the Clave will not see it. I am afraid if steps are not taken, it will be too late for Barbara and Piers and—and Ariadne.” There was a slight tremor in her voice. “I need your help.”

“But what can I—” Cordelia began, and broke off as she heard the downstairs front door bang open.

“Anna!” A deep male voice echoed up the stairwell. It was soon joined by the tread of running feet, and Matthew Fairchild burst into Anna’s parlor.

8 NO STRANGE LAND

But (when so sad thou canst not sadder)

Cry;—and upon thy so sore loss

Shall shine the traffic of Jacob’s ladder

Pitched betwixt Heaven and Charing Cross.

—Francis Thompson, “In No Strange Land”

Matthew wore a brocade waistcoat, and a new silk hat was clutched in his hand, though his head was bare, his curls tousled. Shimmering stones glittered in his tiepin and at his cuffs, and his signet ring gleamed on his hand. “Anna, you won’t believe—” He broke off as he saw Cordelia. “What are you doing here?”

Cordelia was not sure such a rude question deserved an answer. “Having tea.”

His gaze scanned the room. His eyes were a most peculiar color, clear green in some lights, darker in others. “I don’t see Anna,” he said, sounding astonished and a little suspicious, as if he suspected Cordelia of having hidden Anna in the teapot.

“She’s in her bedroom,” said Cordelia, as coolly as she could manage.

“Alone?” Matthew inquired.

“Matthew!” called Anna from the bedroom. “Don’t be awful.”

Matthew went to lean against Anna’s bedroom door, turning his head to speak to her through the crack. It was clear he didn’t care whether Cordelia overheard him. “I have already had a maddening day,” he said. “James has been slandered by Tatiana Blackthorn and my rotten older brother is backing her up to the hilt; James has gone off to rendezvous with Grace. I am here to get squiffy and try to forget what a foolish thing my parabatai is doing.” He glanced at his watch. “Also, I have to be at Fleet Street by midnight.”

Anna reemerged, looking spectacular in a black velvet coat, matching trousers, and a white silk shirt tied at the collar. A monocle dangled around her neck and her boots were shimmering black. Between her and Matthew it was hard to say who looked the more as if they had wandered out of an illustration in Punch regarding the glamorous youth of today.

“A dreadful tale,” Anna said. “Shall we go?”

“Certainly,” said Matthew. “Cordelia, it was lovely, if surprising, to see you.”

“There is no need to say farewell,” Anna said, drawing on a pair of white gloves. “Cordelia will be coming with us. That was why I invited her here in the first place.”

“I thought you wanted to have tea!” objected Cordelia.