Dark Debt

Page 3

We went quiet enough to hear the strains of a lone saxophone being played near the pier, probably a song being sold for tourists’ cash.

“What questions?” Ethan asked.

“They’re asking about a supposed reunion,” Luc said. The answer made T. S. Eliot echo alarmingly in my head. This is the way the world ends.

Ethan’s reaction was as hot and fast as Luc’s had been cautious.

“Double the guards on the gate,” Ethan said. “We’re on our way.”

I wanted to argue with him, to tell him he’d be safer staying put than running toward whatever reunion this Balthasar had planned. But Ethan was a stubborn and careful man. He wouldn’t leave the House to face danger without him, and certainly not when the danger was a monster from Ethan’s own past. Ethan still hadn’t forgotten the things he’d done when he was with Balthasar, or forgiven himself for his own complicity. He was still looking for redemption. And he’d meet that opportunity head-on.

We said our good-byes, and I tucked the phone into my pocket again, tried to mentally prepare myself for what we might face—what Ethan might have to face, and the emotional storm that might rip through both of us.

And then I looked at Mallory and Catcher, remembering they’d been on the verge of making their own announcement.

“Go,” Catcher said, even as Mallory began stuffing food back into the picnic basket. She was playing the trouper, but I could see the frustration in her eyes. “You want us with you?”

Ethan shook his head. “There’s no point in dragging you into this debacle. Balthasar is dead; this is someone else’s ploy for attention.”

Catcher nodded. “I’ll tell Chuck, put him on alert just in case.”

“Be careful,” Mallory said, and squeezed me into a hug.

“I will,” I said, searching her gaze for answers, and finding none. “You’re okay?”

“I’m fine. We can talk about this later. Take care of your House first. Go,” she said when I hadn’t moved, and turned me toward the street.

We went, jogging back toward Grand and the tall man with blond hair who waited for us in front of a glossy black Range Rover with a license plate that read CADOGAN. He wore a trim black suit and a sleek black tie, hands clasped in front of him.

“Sire,” he said, bowing his head. Brody was a Cadogan House guard who’d been appointed Ethan’s official driver. Luc had outfitted Ethan with all the necessary perks, including the car, which was equipped with a complete security system, a small arsenal, and a comm center.

“Luc called,” Brody said, pivoting smoothly to open the door, one hand on his tie as he waited for Ethan and me to climb into the backseat. He closed the door with a solid thud, then rounded the car and slid inside onto the driver’s seat.

The car was comfortable, and I appreciated that Ethan had extra security, but I missed Moneypenny, my vintage Mercedes convertible. She was currently parked in the basement of Cadogan House, weeping from neglect. I missed the freedom, the quiet, the solitude of a good long drive—as most drives anywhere in Chicago tended to be.

Unless Brody was driving.

“May I?” he asked, meeting Ethan’s gaze in the rearview mirror, not doing a very good job of fighting back a smile. Brody had been a new guard, and he was still pink around the edges. But he did have one particularly enviable skill.

The boy could handle a car.

He was Chicago’s version of the Transporter—master of the smooth ride, but equally adept at weaving and dodging through Chicago’s gnarly traffic. Luc had given Brody a dressing-down the first time he’d ridden with him. But when the time came to assign Ethan a driver, he turned to Brody first.

“If you can get us there in one piece,” Ethan said, and managed not to flinch when Brody dashed into traffic like a cheetah in pursuit.

Brody just avoided nicking a cab, then slipped smoothly into a gap in the other lane.

I’m not sure when I’m going to get used to this, Ethan said silently, using the telepathic connection between us.

You’re just irritated you aren’t the one driving.

I have a Ferrari for just such occasions. And speaking of occasions, what was Mallory’s and Catcher’s production about? She’d looked upset.

I’m not sure, I admitted. But if it was really bad news, I don’t think she’d have arranged a picnic. There were plenty of milestones that might merit a picnic, but I wasn’t sure they’d put that look on her face.

I’ll call her, I promised, and ferret out the truth. But for now, let’s deal with vampires.

Chapter Two

DEAD SPIN

Fifteen minutes later, a miraculous amount of time for Chicago, Brody turned off Woodlawn, tires squealing as he veered toward the House, its white stone glowing beneath heavy moonlight.

Media vans clustered outside the tall iron fence that bounded the House’s large grounds, their antennas extended, reporters and cameramen on the sidewalk with equipment in hand.

The gate in the fence was closed—something I’d rarely seen—the black-clad human guards we hired out to protect the House staring down the reporters with open malice that made me appreciate them even more.

Our wealthy Hyde Park neighbors stood on their stoops or porches and stared grimly at the activity, probably already composing their letters to the editor—or to Ethan—protesting late-night vampiric shenanigans.

I sent Luc a message, advising him we’d reached our destination, as Brody pulled the car to a stop beside the nearest van.

Tip: You can use left and right keyboard keys to browse between pages.