Natalie laughed. Nancy was still, at sixteen, awake before dawn on Christmas morning; Nancy still said the word "presents" with all the uninhibited glee of a four-year-old—even if the presents weren't for her, and that was one of the nice things about Nancy.
She opened the gifts in the living room at home, and her mother took the ribbons as she unwrapped the packages, one by one, and arranged them on Natalie's head. By the third she was festooned with curled-ended bows, yellow, green, and pink, and felt like the Alice in Wonderland illustration of the Dutchess' baby in its huge ruffled cap. She felt self-indulgent and silly, as if she had been sipping champagne.
From Nancy, there was a fragile silver necklace, a small shining knot caught at the end of a smooth-linked chain. She held it over her hands and remembered how, as a child, she had tried once to capture a small waterfall, in vain. Then she fastened the clasp at the back of her neck and smiled at her sister.
Aunt Helen was on a Mediterranean cruise; she had sent a package. All four of them found themselves glancing inadvertently at the top of the television. The package was too small to be another panther.
"I could save it till last," Natalie suggested.
"No, get it over with," said Nancy practically. "Save Mom and Dad's till last."
"I wonder if it's membership in the exotic-fruit-of-the-month club," said Natalie's mother, remembering a year when they had dutifully unpacked, month after month, unidentifiable squishy, semi-rotted sweet-smelling things that they had pondered and then sent down the disposal.
"Hey!" said Natalie in pleased surprise, holding it up. "Look!" It was a leather-bound medical dictionary.
Her father exhaled in startled relief. "She's mellowed," he said. "At last."
Kay Armstrong chuckled. "Like the mango?" she said. The mango, indeed, had mellowed. It had mellowed all over the inside of the box in which it had been packed, during its month as exotic fruit, and had dripped, as they carried it, noses averted, to the sink.
"No," said Natalie. "Aunt Helen's okay." She opened the cover of the book and read the inscription that her father's sister had written. She grimaced. "Well, she's semi-okay."
"Semi-Horrible Aunt Helen," said Nancy. "What did she write?"
"Just one of her pronouncements," Natalie said. "Are you sure you want to hear it?"
"No," said her father. "But read it anyway."
Natalie stood, faced them, and tried to assume Aunt Helen's pinched-mouth voice. "'It is not a field for a woman,' she read, 'but since you have chose Medicine, you have my wishes for success.'"
They all sighed. "You're right, Nancy," said Dr. Armstrong. "She's my sister, but she's semi-horrible."
"Like a semipermeable membrane," suggested Natalie's mother. "Some things get through. But not enough. Well, it's a nice dictionary."
("Well," she had said once, "it's the nicest green ceramic panther I've ever seen. I'll give it that.")
"Open Tallie's," said Nancy impatiently. "Open Tallie's."
They said it every Christmas, every birthday: open Tallie's, open Tallie's.
Tallie Chandler was Natalie's only living grandparent. The sculptor, her mother's mother, lived in a Boston apartment in the winter, and spent her summers on an island off the coast of Maine. By car and boat, she was only five hours away; but there was nothing, not even a granddaughter's graduation, that would take her from Ox Island. "She came to our wedding," Kay Armstrong had explained once, laughing, "but only because we scheduled it for the weekend before she was leaving Boston, and we had it at her apartment."
The package was heavy. Underneath its outer wrappings, the box was wrapped in off-white tissue paper that had been block-printed with an abstract design in blue and green.
"She's incredible," murmured Dr. Armstrong. "Look at that, Kay. She did that paper by hand. She should have signed it. You could frame it, if it weren't folded and wrinkled."
Kay Armstrong smiled. "When I was a little girl," she mused, remembering, "every meal we had—every meal—looked like a still life that should have a frame around it. I remember once, when I was very small, watching her arranging breakfast on four plates. We were in Italy at the time, and there was a guest at the house; I forget who. And I asked her why she was taking so long. I was hungry. She laughed, and said she was just perfecting the symmetry before she served it."
"Open it," said Nancy.
Natalie set the paper aside carefully and opened the box. She gasped.
It was a small, gleaming, perfectly cast piece of bronze sculpture. It was abstract, but there was all of nature in it. It could have been a gull at sunrise, motionless, with its head caught, bent, in the fold of a wing; it could have been the thick, unopened leaves of a deep-forest wild plant in early spring. Natalie turned it gently in her hands, and it caught the sun. In the base, Tallie had etched her signature.
A small white card had fallen from the box. Natalie picked it up and read aloud, "Natalie dearest. I have titled this piece 'Commencement,' and I created it with my namesake in mind. May it bring you joy. May all Commencements bring you joy. Tallie."
"You know," said Dr. Armstrong after a moment, "that's worth a fortune."
Natalie held the sculpture and stroked its perfect curved lines with her hand. "It would be worth a fortune," she said, "even if it weren't worth a fortune."
She set it on the coffee table so that the sun, coming through the west windows of the room, enlarged its shadow into a curved image on the polished pine.
"Now I'll open yours." She smiled at her parents.