Lord John And The Hand Of Devils

She was young and naked and dead. Her body lay limp, sprawled white in the light, but her eyes were dull and her lips blue, the traces of sickness trailing down her face and across the bedclothes. Grey backed slowly away, shock washing the last remnants of the drug from his blood.



He rubbed both hands hard across his face, striving to think. What was this, why was he here, with the body of this young woman? He brought himself to come closer, to look. She was no one he had seen before; the calluses upon her hands and the state of her feet marked her as a servant or a country girl.



He turned sharply, went to the door. Locked, of course. But what was the point? He shook his head, his brain slowly clearing. Once clear, though, no answers came to mind. Blackmail, perhaps? It was true that Grey’s family had influence, though he himself possessed none. But how could his presence here be put to such use?



It seemed he had spent forever in that buried room, pacing to and fro across the stone floor, until at last the door opened and a robed figure slipped through.



“George!”



“Bloody hell!” Ignoring Grey’s turn toward him, Everett crossed the room and stood staring down at the girl, brows knit in consternation. “What’s happened?” he demanded, swinging toward Grey.



“You tell me. Or rather, let us leave this place, and then you tell me.”



Everett put out a quelling hand, urging silence. He thought for a moment, and then seemed to reach some conclusion. A slow smile grew across his face.



“Well enough,” he said softly, to himself. He turned and reached toward Grey’s waist, pulling loose the cord that bound the robe closed. Grey made no move to cover himself, though filled with astonishment at the gesture, given the circumstances.



This astonishment was intensified in the next instant, as Everett bent over the bed and wrapped the cord round the neck of the dead woman, tugging hard to draw it tight, so the rope bit deep into flesh. He stood, smiled at Grey, then crossed to the table, where he poured two glasses of wine from the flagon.



“Here.” He handed one to Grey. “Don’t worry, it’s not drugged. You aren’t drugged now, are you? No, I see not; I thought you hadn’t had enough.”



“Tell me what is happening.” Grey took the glass, but made no move to drink. “Tell me, for God’s sake!”



George smiled again, a queer look in his eyes, and picked up the knife. It was exotic in appearance; something Oriental, at least a foot long and wickedly sharp.



“It is the common initiation of the brotherhood,” he said. “The new candidate, once approved, is baptized—it was pig’s blood, by the way—and then brought to this room, where a woman is provided for his pleasure. Once his lust is slaked, an older brother comes to instruct him in the final rite of his acceptance—and to witness it.”



Grey raised a sleeve and wiped cold sweat and pig’s blood from his forehead.



“And the nature of this final rite is—”



“Sacrificial.” George nodded acknowledgment toward the blade. “The act not only completes the initiation, but also insures the initiate’s silence and his loyalty to the brotherhood.”



A great coldness was creeping through Grey’s limbs, making them stiff and heavy.



“And you have … have done this?”



“Yes.” Everett contemplated the form on the bed for a moment, one finger gently stroking the blade. At last he shook his head and sighed, murmuring to himself once more. “No, I think not.”



He raised his eyes to Grey’s, clear and shining in the lamplight. “I would have spared you, I think, were it not for Bob Gerald.”



The glass felt slick in Grey’s hand, but he forced himself to speak calmly.



“So you did know him. Was it you who killed him?”



Everett nodded slowly, not taking his gaze from Grey’s.



“It is ironic, is it not?” he said softly. “I desired membership in this brotherhood, whose watchword is vice, whose credo is wickedness—and yet had Bob Gerald told them what I am, they would have turned upon me like wolves. They hold all abomination dear—save one.”



“And Robert Gerald knew what you were? Yet he did not speak your name as he died.”



George shrugged, but his mouth twitched uneasily.



“He was a pretty lad, I thought—but I was wrong. No, he didn’t know my name, but we met here—at Medmenham. It would have made no difference, had they not chosen him to join us. Were he to come again, though, and see me here …”



“He would not have come again. He refused the invitation.”



George’s eyes narrowed, gauging his truth; then he shrugged.



“Perhaps if I had known that, he need not have died. And if he had not died, you would not have been chosen yourself—would not have come? No. Well, there’s irony again for you, I suppose. And still—I think I would have killed him under any circumstance; it was too dangerous.”



Grey had been keeping a watchful eye on the knife. He moved, unobtrusively, seeking to get the corner of the table betwixt himself and Everett.



“And the broadsheets? That was your doing?” He could, he thought, seize the table and throw it into Everett’s legs, then try to overpower him. Disarmed, they were well-matched in strength.



“No, Whitehead’s. He’s the poet, after all.” George smiled and stepped back, out of range. “They thought perhaps to take advantage of Gerald’s death to discomfit Sir Richard—and chose that method, knowing nothing of his killer or the motive for his death. The greatest irony of all, is it not?”



George had moved the flagon out of reach. Grey stood half naked, with no weapon to hand save a glass of wine.



“So you intend now to procure my silence by claiming I am the murderer of this poor young woman?” Grey demanded, jerking his head toward the still figure on the bed. “What happened to her?”



“Accident,” Everett said. “The women are drugged; she must have vomited in her sleep and choked to death. But blackmail? No, that isn’t what I mean to do.”



Everett squinted at the bed, then at Grey, measuring distance.



“You sought to use a noose for your sacrificial duty—some mislike blood—and though you succeeded, the girl managed to seize the knife and wound you, severely enough that you bled to death before I could return to aid you. Tragic accident; such a pity. Move a little closer to the bed, John.”



Never think a man is helpless, only because he’s fettered. Grey flung his wine into Everett’s face, then smashed his glass against the stones of the wall. He whirled on a heel and lunged upward, jabbing with all his might.



Everett grunted, one side of his handsome face laid open, spraying blood. He growled deep in his throat, baring bloody teeth, and ripped the blade across the air where Grey had stood a moment before. Half blinded by blood and snarling like a beast, he lunged and swung again. Grey ducked, was hit by a flying wrist, and fell across the woman’s body. He rolled sideways, but was trapped by the folds of his robe.



The knife gleamed overhead. In desperation, he threw up his legs and thrust both feet into Everett’s chest, flinging him backward.



Everett staggered, flailing back across the room, half-caught himself, then froze abruptly. The expression on his face showed vast surprise. His hand loosened, dropping the knife, and then drew slowly through the air, graceful in gesture as the dancer that he was. His fingers touched the reddened steel protruding from his chest, acknowledging defeat. He slumped slowly to the floor.



Harry Quarry put a foot on Everett’s back and freed his sword with a vicious yank.



“Good job I waited, wasn’t it? Saw those buggers with their lanterns and all, and thought best I see what mischief was afoot.”



“Mischief,” Grey echoed. He stood up, or tried to. His knees had gone to water. “You … did you hear?” His heart was beating very slowly; he wondered in a dreamy way whether it might stop any minute.



Quarry glanced at him, expression unreadable.



“I heard.” He wiped his sword, then sheathed it, and came to the bed, bending down to peer at Grey. How much had he heard, Grey wondered—and what had he made of it?



A rough hand brushed back his hair. He felt the stiffness matting it, and thought of Robert Gerald’s mother.



“It’s not my blood,” he said.



“Some of it is,” said Quarry, and traced a line down the side of his neck. In the wake of the touch, he felt the sting of the cut, unnoticed in the moment of infliction.



“Never fear,” said Quarry, and gave him a hand to get up. “It will make a pretty scar.”



“Lord John and the Succubus”



In 2003, I was invited to write a novella for an anthology edited by Robert Silverberg, titled Legends II: New Short Novels by the Modern Masters of Fantasy. I had slight reservations—as my World of War Craft–playing son asked, seeing the contract, “Since when are you a modern master of fantasy, Mom?”—but(a) was very flattered to be asked to share a volume with George R. R. Martin, Terry Brooks, and Orson Scott Card, and(b) I’m inclined to regard the notion of literary genres in the same light as a Chinese menu, and (c) if I had a family motto, it would probably be “Why not?” (the accompanying coat-of-arms being a stone circle quartered on a field of azure and crimson with rampant hippogriffs). So I did.



However, I had the same concerns regarding the main characters of the Outlander books that obtained when I wrote “Hellfire.” Reflecting that it had worked once, so why not?, I decided to call Lord John into active duty once more.



The difficulty being, of course, that Lord John Grey is not a time-traveler, nor yet a telepath, a shape-shifter, nor even an inhabitant of an alternate universe loosely based on the history and culture of Scotland or Turkestan. But, on the other hand, there was no requirement that the main character of this putative novella be himself a creature of fantasy—and a story in which a perfectly normal (well, more or less) hero comes into conflict with supernatural creatures is a solid archetype. Hey, if it was good enough for Homer, it’s good enough for me.



And so, “Lord John and the Succubus” was published in 2004, as part of the Legends II anthology. In terms of Lord John’s chronology, this story follows the novel, Lord John and the Private Matter, and in it, we renew our acquaintance with Tom Byrd, Lord John’s valet, and his friend, Stephan von Namtzen. Set in Germany (which didn’t actually exist as a political entity at the time, but was a recognizable geographical region) in the early phases of the Seven Years War, “Succubus” is a supernatural murder mystery, with military flourishes.



Historical note: Between 1756 and 1763, Great Britain joined with her allies, Prussia and Hanover, to fight against the mingled forces of Austria, Saxony—and England’s ancient foe, France. In the autumn of 1757, the Duke of Cumberland was obliged to surrender at Kloster-Zeven, leaving the allied armies temporarily shattered and the forces of Frederick the Great of Prussia and his English allies encircled by French and Austrian troops.



Chapter 1



Death Rides a Pale Horse



Grey’s spoken German was improving by leaps and bounds, but found itself barely equal to the present task.



After a long, boring day of rain and paperwork, there had come the sound of loud dispute in the corridor outside his office, and the head of Lance-Korporal Helwig appeared in his doorway, wearing an apologetic expression.



“Major Grey?” he said “Ich habe ein kleines Englische problem.”



A moment later, Lance-Korporal Helwig had disappeared down the corridor like an eel sliding into mud, and Major John Grey, English liaison to the Imperial Fifth Regiment of Hanoverian Foot, found himself adjudicating a three-way dispute among an English private, a gypsy prostitute, and a Prussian tavern owner.



A little English problem, Helwig had described it as. The problem, as Grey saw it, was rather the lack of English.



The tavern owner spoke the local dialect with such fluency and speed that Grey grasped no more than one word in ten. The English private, who normally probably knew no more German than “ja,” “nein,” and the two or three crude phrases necessary to accomplish immoral transactions, was so stricken with fury that he was all but speechless in his own tongue, as well.



The gypsy, whose abundant charms were scarcely impaired by a missing tooth, had German that most nearly matched Grey’s own in terms of grammar—though her vocabulary was immensely more colorful and detailed.



Using alternate hands to quell the sputterings of the private and the torrents of the Prussian, Grey concentrated his attention carefully on the gypsy’s explanations—meanwhile taking care to consider the source, which meant discounting the factual basis of most of what she said.



“… and then the disgusting pig of an Englishman, he put his [incomprehensible colloquial expression] into my [unknown gypsy word]! And then …”



“She said, she said she’d do it for sixpence, sir! She did, she said so—but, but, but, then …”



“These-barbarian-pig-dogs-did-revolting-things-under-the-table-and-made-it-fall-over-so-the-leg-of-the-table-was-brokenand-the-dishes-broken-too-even-my-large-platter-which-cost-six-thalers-at-St.Martin’s-Fair-and-the-meat-was-ruined-by-falling-onthe-floor-and-even-if-it-was-not-the-dogs-fell-upon-it-snarlingso-that-I-was-bitten-when-I-tried-to-seize-it-away-from-them-andall-the-time-these-vile-persons-were-copulating-like-filthy-foxeson-the-floor-and-THEN …”



At length, an accommodation was reached, by means of Grey’s demanding that all three parties produce what money was presently in their possession. A certain amount of shifty-eyed reluctance and dramatic pantomimes of purse and pocket-searching having resulted in three small heaps of silver and copper, he firmly rearranged these in terms of size and metal value, without reference as to the actual coinage involved, as these appeared to include the currency of at least six different principalities.