I aimed for the right note of detachment, and snickered. “Well, she read too many magazine articles about how children raised in fatherless homes are more likely to become adolescent delinquents. And voilà. Here I am.” I sighed and had another toke. An enormous cloud was billowing across the moon. There were no stars.
A chorus of grim chuckles were followed by even more snickering. And then it was back to the children.
“So he’s taking methylphenidate”—Adam pronounced it effortlessly—“even though it really hasn’t been approved for kids under six,” and then he went on about Hanson’s and Kane’s attention-deficit/hyperactivity disorder, which naturally led the conversation to the 7.5 milligrams of Ritalin administered three times a day, and the pediatrician who discouraged having a television set in the kid’s bedroom, and Monsters, Inc.—so old school—and Mark Huntington had hired an essay writer for his son, who’d pleaded with him that he didn’t need one. And then the talk turned to the missing boys, a lunatic, a recent bombing in New Orleans, another pile of corpses, a group of tourists machine-gunned outside the Bellagio in Vegas. The marijuana—which was pretty strong—had turned our speech into thick parodies of drug talk.
“Have you ever tried the deaf-daddy routine?”
I wasn’t asked this, but I sat up, intrigued, and said, “No, what is it?”
“When he starts whining just pretend you don’t understand what he’s saying.” This was Mitchell.
“What happens?”
“He gets so annoyed he simply gives up.”
“How many hours did you spend on Google to get that info, Mitch?”
“It sounds excruciating,” Adam sighed. “Why not just give him what he wants?”
“I’ve tried that. It does not work, my friend.”
“Why not?” someone asked, even though we all knew the answer.
“Because they always want more” was Mark Huntington’s response.
“Hell,” Mitchell said with a shrug, inhaling, “they’re my kids.”
“We play hide-and-get-lost,” Adam Gardner said after a long silence. He was also sprawled on a chaise, his arms crossed, staring up at the starless sky.
“How do you play that?”
“Kane is ‘it’ and has to count to a hundred and seventy.”