Lunar Park
1941 was the year my father was born.
And in a matter of seconds—at the dawning of this realization—I heard the familiar sound of the AOL voice repeating itself, over and over, from the computer in my office: “You’ve got mail, you’ve got mail, you’ve got mail . . .”
As I entered the office I saw that I was receiving an endless scroll of e-mails from the Bank of America in Sherman Oaks.
When I stepped in front of the computer the e-mails abruptly stopped flowing.
Through that long night I just sat in my office, numb, waiting for something, while my family slept upstairs. Everything around me was faintly vibrating, and I kept picturing a gray river made of ash flowing backwards. At first I was filled with a sort of wonderment, but when I realized it wasn’t tied to anything in particular, the wonderment crumbled into fear. And this was followed by grief and the piercing echoes from a past I didn’t want to remember, so I concentrated instead on the predictions rippling through me that, because of their dark nature, I then had to ignore. The denial of everything would pull me gently away from reality, but only for a moment, because lines started connecting with other lines, and gradually an entire grid was forming and it became coherent, with a specific meaning, and finally emerging from the void was an image of my father: his face was white, and his eyes were closed in repose, and his mouth was just a line that soon opened up, screaming. My mind kept whispering to itself, and in my memories it all was there—the pink stucco house, the green shag carpeting, the bathing suits from the Mauna Kea, our neighbors Susan and Bill Allen—and I could see my father’s cream-colored 450 SL as it crossed the lanes of an interstate lined with citrus trees, racing toward an off-ramp, not far from here, called Sherman Oaks, and sometimes on the night and early morning of November fourth I laughed with disbelief at the noises roaring in my head and I kept talking to myself, but I was a man trying to have a rational conversation with someone who was losing it, and I cried let it go, let it go, but I could no longer avoid recognizing the fact that I had to accept what was happening: that my father wanted to give me something. And as I kept repeating his name I realized what it was.
A warning.
TUESDAY, NOVEMBER 4
15. the attachments
As consciousness returned I felt hungover even though I wasn’t. I wanted a cigarette but it passed. The hours blurred as I sat outside in a chair on the deck. I had wrapped a blanket around myself and walked out of the house and sat in a chair on the deck. When the sky became a huge white screen I finally faced the house with my insomniac glare as its inhabitants began waking up. The blandness of its exterior contradicted what lay within the house and there was no reason to go back inside, even though I felt something pulling me toward it, some kind of force urging me to reenter. The reassuring smile was now useless. I was plastic. Everything was veiled. Objectivity, facts, hard information—these were things only in the outline stage. There was nothing tying anything together yet, so the mind built up a defense, and the evidence was restructured, and that was what I tried to do on that morning—to restructure the evidence so it made sense—and that is what I failed at. There was a crow hidden somewhere in the barren trees behind me and I could hear the flapping of wings and when I saw it circle above me tirelessly I stared at it since there was nothing else to look at in the blank air and there were things I didn’t want to think about
(and on this deck tonight another squirrel will be turned inside out by a doll you bought for a little girl)
but this was what happened when you didn’t want to visit and confront the past: the past starts visiting and confronting you. My father was following me
(but he has been following you forever)
and he wanted to tell me something and it was urgent and this need was now manifesting itself. It was in the peeling of the house and the lights that flickered and dimmed and it was in the rearrangement of the furniture and the wet bathing trunks and the sightings of the cream-colored Mercedes. But why? I strained but my memories weren’t of him: a lit swimming pool, an empty beach at Zuma, an old New Wave song, a deserted stretch of Ventura Boulevard at midnight, palm fronds floating against the dark purple streaks of a late-afternoon sky, the words “I’m not afraid” said as a rebuke to someone. He had been erased from everything. But now he was back, and I understood that there was another world underneath the one we lived in. There was something beneath the surface of things. The leaves in the yard needed raking. A faint and secret argument was coming from next door in the Allens’ house. Suddenly I thought, It will be Christmas soon.