His dark brown, wavy hair was perfectly rakish, and his smile was adorably crooked, the usual gleam in his deep-set hazel eyes. Tonight, he wore slim dark pants and a sleeveless shirt that showed off his well-toned arms—and the intricate but temporary paintings that stained his skin.

“Hey, Gunnar.” We exchanged cheek kisses. I cursed when another boom sounded, followed by the sparkle of gold stars in the air.

I smiled despite myself. “Damn it. Now they’re just showing off.”

“Good thing you’re getting into the spirit,” he said with a grin. “Happy War Night.”

“Happy War Night, smarty-pants. Let me check your ink.”

Gunnar obliged, stretching out his arms so I could get a closer view. New Orleans was a city of traditions, and War Night had its own: the long parade, the fireworks, the spiked punch we simply called “Drink” because the ingredients depended on what was available. And since the beginning, when there was nothing but mud and ash, painting the body to remember the fallen. Making a living memorial of those of us who’d survived.

The intricate scene on Gunnar’s left arm showed survivors celebrating in front of the Cabildo, waving a purple flag bearing four gold fleurs-de-lis—the official postwar flag of New Orleans. The other arm showed the concrete and stone sculpture of wings near Talisheek in St. Tammany Parish, which memorialized one of the deadliest battles of the war, and the spot where thousands of Paras had entered our world.

The realism lifted goose bumps on my arms. “Seriously amazing.”

“Just trying to do War Night proud. And Aunt Reenie.”

“God bless her,” I said of Gunnar’s late and lamented aunt, who’d been a great lover of War Night, rich as Croesus, and, according to Gunnar’s mother, “not quite there.”

“God bless her,” he agreed.

“Let’s get the party started,” I said. “You want something to drink?”

“Always the hostess. I don’t suppose there’s any tea?”

“I think there’s a little bit left,” I said, opening the door and gesturing him in.

Gunnar was a sucker for sweet tea, a rarity now that sugar was a luxury in New Orleans. That was another lingering effect of war. Magic was powerful stuff, and it wasn’t meant to be in our world. Nothing would grow in soil scarred by magic, so war had devastated the Zone’s farms. And since there were still rumors of bands of Paras in rural areas who’d escaped the Containment roundup and preyed on humans, there weren’t many businesses eager to ship in the goods that wouldn’t grow here.

There’d been a mass exodus of folks out of the cities with major fighting—New Orleans, Baton Rouge, Mobile—about three weeks after the war started, when it began to look as though we weren’t equipped to fight Paras, even on our own soil.

There were plenty of people who still asked why we stayed in the Zone, why we put up with scarcity, with the threat of wraith and Para attacks, with Containment on every corner, with Devil’s Isle looming behind us.

Some folks stayed because they didn’t have a better choice, because somebody had to take care of those who couldn’t leave. Some stayed because they didn’t have resources to leave, anywhere to go, or anyone to go to. And some stayed because they’d been through hard times before—when there’d been no electricity, no comforts, and too much grief—and the city was worth saving again. Some stayed because if we left, that would be the end of New Orleans, Little Rock, Memphis, and Nashville. Of the culture, the food, the traditions. Of the family members who existed only in our memories, who tied us to the land.

And some folks stayed because they had no choice at all. Containment coordinated the exodus. And when everyone who’d wanted to get out was out, they started controlling access to the Zone’s borders, hoping to keep the Paras and fighting contained.

No, staying in the Zone wasn’t easy. But for a lot of us—certainly for me—it was the only option. I’d rather make do in New Orleans than be rich anywhere else.

 

 

Photo by Dana Damewood Photography

Chloe Neill, author of the Chicagoland Vampires novels (Dark Debt, Blood Games, Wild Things), the Dark Elite novels (Charmfall, Hexbound, Firespell), and the Devil’s Isle novels (The Veil), was born and raised in the South but now makes her home in the Midwest—just close enough to Cadogan House and St. Sophia’s to keep an eye on things. When not transcribing Merit’s, Lily’s, and Claire’s adventures, she bakes, works, and scours the Internet for good recipes and great graphic design. Chloe also maintains her sanity by spending time with her boys—her favorite landscape photographer (her husband), and their dogs, Baxter and Scout. (Both she and the photographer understand the dogs are in charge.)

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