Still Life

‘Another reason I was slow to catch on,’ admitted Gamache, ‘was that I made a mistake. Quite a big one. I thought he loved you, Clara. Romantically. I even asked him about it. That was the biggest mistake. Instead of asking him how he felt about you, I asked him how long he’d loved you. I gave him the excuse he needed for all his guarded looks. He wasn’t sneaking peeks at you out of passion, but fear. He knew how intuitive you are, and that of anyone, you’d figure it out. But I let him off the hook and fooled myself.’



‘But you came to it in the end,’ said Clara. ‘Does Ben realise what he’s done?’



‘No. He’s convinced he was totally justified in what he did. The Hadley money was his. The Hadley property was his. His mother was simply holding them until they were passed on to him. The idea of not getting his inheritance was so unimaginable he felt he had no choice but to kill her. And because she put him in that position, well it wasn’t his fault. She brought it on herself.’



Olivier shivered. ‘He seemed so gentle.’



‘And he was,’ said Gamache, ‘until you disagreed with him, or he didn’t get what he wanted. He was a child. He killed his mother for the money. And he killed Jane because he thought she was announcing it to the world with Fair Day.’



‘It’s ironic,’ said Peter, ‘he thought his face in Fair Day gave him away. But what gave him away was erasing his face. Had he left the picture as it was he’d never have been caught. He’d been passive all his life. The one time he actually acts he condemns himself.’



Ruth Zardo walked slowly and painfully up the hill, Daisy on a lead beside her. She’d volunteered to take Ben’s dog, surprising herself more than anyone else when she’d made the offer. But it felt right. Two stinky, lame old ladies. They picked their way along the uneven path, being careful not to slip on the gathering snow and twist an ankle or aggravate a hip.



She heard it before she saw it. The prayer stick, its brightly colored ribbons catching the wind, sending their gifts into the air, knocking against each other. Like true friends. Bumping, and sometimes hurting, though never meaning to. Ruth took hold of the old photograph, the image almost worn off by the rain and snow. She hadn’t looked at this picture in sixty years, since the day she’d taken it at the fair. Jane and Andreas, so joyous. And Timmer behind, looking straight at the camera, at Ruth holding the camera, and scowling. Ruth had known then, years ago, that Timmer knew. Young Ruth had just betrayed Jane. And now Timmer was dead. And Andreas was dead, and Jane was dead. And Ruth felt, maybe, it was time to let go. She released the old photograph and it quickly joined the other objects, dancing and playing together.



Ruth reached into her pocket and took out the book she’d chosen as her gift from Jane. With it she withdrew the envelope Jane had left her. Inside was a card, hand-drawn by Jane, a near duplicate of the image on the wall of Jane’s living room. Except, instead of two young girls embracing, they were now old and frail. Two elderly women. Holding each other. Ruth slipped it into the book. The worn little book that smelled of Floris.



In a tremulous voice Ruth started to read out loud, the words taken by the wind to play among the snowflakes and bright ribbons. Daisy looked at her with adoration.



Gamache sat in the Bistro, having come in to say goodbye, and maybe buy a licorice pipe, or two, before heading back to Montreal. Olivier and Gabri were having a heated discussion about where to put the magnificent Welsh dresser Olivier had chosen. Olivier had tried not to choose it. Had spoken with himself quite sternly about not being greedy and taking the best thing in Jane’s home.



Just this once, he begged himself, take something symbolic. Something small to remember her by. A nice bit of famille rose, or a little silver tray. Not the Welsh dresser. Not the Welsh dresser.



‘Why can’t we ever put the nice things in the B. & B.?’ Gabri was complaining, as he and Olivier walked around the Bistro, looking for a place for the Welsh dresser. Spotting Gamache, they went over to him. Gabri had a question.



‘Did you ever suspect us?’



Gamache looked at the two men, one huge and buoyant, the other slim and self-contained. ‘No. I think you’ve both been hurt too much in your lives by the cruelty of others to ever be cruel yourselves. In my experience people who have been hurt either pass it on and become abusive themselves or they develop a great kindness. You’re not the types to do murder. I wish I could say the same for everyone here.’



‘What do you mean?’ asked Olivier.



‘Who do you mean?’ asked Gabri.