The Brutal Telling

Woo.



Hidden in the rude rough sack it was far finer, even, than the more detailed carvings. This was simplicity itself. Its message was elegant and horrific. The carving was beautiful and yet the young man seemed utterly empty. His imperfections worn away. The wood hard and smooth so that the world slid right off it. There would be no touch and therefore no feeling.



It was the Mountain King, as a man. Unassailable, but unapproachable. Gamache felt like throwing it deep into the forest. To lie where the Hermit had put himself. Hiding from a monster of his own making.



But there was no hiding from Conscience.



Not in new homes and new cars. In travel. In meditation or frantic activity. In children, in good works. On tiptoes or bended knee. In a big career. Or a small cabin.



It would find you. The past always did.



Which was why, Gamache knew, it was vital to be aware of actions in the present. Because the present became the past, and the past grew. And got up, and followed you.



And found you. As it had the Hermit. As it had Olivier. Gamache stared at the cold, hard, lifeless treasure in his hand.



Who wouldn’t be afraid of this?



Ruth limped across the green to the bench and sat. With a veined hand she clutched her blue cloth coat to her throat while Gabri reached out and taking her other hand in his and rubbing it softly and murmured, “there, there.”



She rose up but remembered to politely wave good-bye . . .



THE END