The Brutal Telling

What would she be watching for? A friend? A familiar car? Another spoon?



Was she watching him now?



Armand Gamache’s Volvo appeared over the hill and came to a stop behind Beauvoir. The two men stood and stared for a moment at the house.



“I found out about the Varathane,” said Beauvoir, thinking this place could use a hundred gallons or so of the stuff. “The Gilberts didn’t use it when they did the renovations. I spoke to Dominique Gilbert. She said they want to be as green as possible. After they had the floors sanded they used tung oil.”



“So the Varathane on the dead man’s clothing didn’t come from the old Hadley house,” said the Chief, disappointed. It had seemed a promising lead.



“Why’re we here?” Beauvoir asked as they turned back to survey the gently subsiding home and the rusting pickup truck in the yard. He’d received a call from the Chief to meet him here, but he didn’t know why.



Gamache explained what Old Mundin had said about Olivier, Madame Poirier and her furniture. Specifically the Chippendale chairs.



“So her kids think Olivier screwed her? And by extension, them?” asked Beauvoir.



“Seems so.” He knocked on the door. After a moment a querulous voice called through it.



“Who is it?”



“Chief Inspector Gamache, madame. Of the Sûreté du Québec.”



“I ain’t done nothing wrong.”



Gamache and Beauvoir exchanged glances.



“We need to speak to you, Madame Poirier. It’s about the body found in the bistro in Three Pines.”



“So?”



It was very difficult conducting an interview through an inch of chipping wood.



“May we come in? We’d like to talk to you about Olivier Brulé.”



An elderly woman, small and slender, opened the door. She glared at them then turned and walked rapidly back into the house. Gamache and Beauvoir followed.



It was decorated as Beauvoir had imagined. Or, really, not decorated. Things were put up on the walls as they’d arrived, over the generations, so that the walls were a horizontal archaeological dig. The farther into the house they went, the more recent the items. Framed flowers, plasticized place mats, crucifixes, paintings of Jesus and the Virgin Mary, and yes, spoons, all marched across the faded floral wallpaper.



But the place was clean, spotless and smelled of cookies. Photos of grandchildren, perhaps even great-grandchildren, sat on shelves and tabletops. A faded striped tablecloth, clean and ironed, was on the kitchen table. And in the center of that table was a vase containing late summer flowers.



“Tea?” She lifted a pot from the stove. Beauvoir declined but Gamache accepted. She returned with cups of tea for them all. “Well, go on.”



“We understand Olivier bought some furniture from you,” said Beauvoir.



“Not just some. He bought the lot. Thank God. Gave me more than anyone else would, despite what my kids mighta told you.”



“We haven’t spoken to them yet,” said Beauvoir.



“Neither have I. Not since selling the stuff.” But she didn’t seem upset. “Greedy, all of them. Waiting for me to die so they can inherit.”



“How did you meet Olivier?” Beauvoir asked.



“He knocked on the door one day. Introduced himself. Asked if I had anything I’d like to sell. Sent him running the first few times.” She smiled at the memory. “But there was something about him. He kept coming back. So I eventually invited him in, just for tea. He’d come about once a month, have tea, then leave.”



“When did you decide to sell to him?” Beauvoir asked.



“I’m coming to that,” she snapped, and Beauvoir began to appreciate how hard Olivier must have worked for that furniture.



“One winter was particularly long. Lots of snow. And cold. So I decided to hell with this, I’d sell up and move into Saint-Rémy, to that new seniors’ home. So I told Olivier and we walked through the house. I showed him all that crap my parents left me. Old armoires and dressers. Big pine things. And painted all sorts of dull colors. Blues and greens. Tried to scrape it off some of them, but it was no good.”



Beside him Beauvoir heard the Chief inhale, but that was the only sign of pain. Having spent years with Gamache he knew his passion for antiques, and knew that you never, ever strip old paint. It was like skinning something alive.



“So you showed it all to Olivier? What did he say?”



“Said he’d take the lot, including what was in the barn and attic without even seeing it. Tables and chairs been there since before my grandparents. Was going to send it to the dump, but my lazy sons never showed up to do it. So serves them right. I sold the lot to Olivier.”