The Duke's Perfect Wife

“Who brought this?” Eleanor asked the maid.

“The boy, my lady. The one who usually brings messages to His Grace.”

“Where is this boy now?”

“Gone, my lady. He delivers all over the square and up to Oxford Street.”

“I see. Well, thank you.”

Eleanor would have to find the boy and put him to the question. She went back upstairs, shut herself in her bedchamber, drew a chair to the window for the light, and opened the envelope.

Inside was a piece of cheap paper sold by the hundredweight at any stationery shop, and a piece of folded pasteboard. Inside the pasteboard card lay another photograph.

In this one, Hart was standing at a wide window, but what showed outside was rolling landscape, not city. His back was to the photographer, his hands on the windowsill, and again, he wore not a stitch.

A broad back replete with muscle slimmed to a backside as firm as firm could be. Hart’s arms were tight, taking his weight as he leaned on the windowsill.

The photograph was printed on stiff paper, much like a carte de visite, but without the mark of a photographer’s studio. Hart had likely had his own apparatus for taking portraits, and his former mistress, Mrs. Palmer, had taken them. Eleanor could not imagine Hart trusting such things to anyone else.

Mrs. Palmer herself had told Eleanor what sort of man Hart Mackenzie truly was. A sexual rogue. Unpredictable. Demanding. Thought it all an adventure, his adventure. The woman in the equation was simply means to his pleasure. She had not gone into detail, but what she’d hinted had been enough to shock Eleanor out of her complacency.

Mrs. Palmer had died two and a half years ago. Who, then, possessed these damning photographs, why was he or she sending them to Eleanor, and why had they waited until now? Ah, but now Hart was poised to push Gladstone out of his seat and take over the government.

The note was the same as the first. From one as wishes you well. No threats of blackmail, no promises to betray Hart, no demand for payment.

Eleanor held the letter up to the light, but she saw no sign of secret messages or clues in the thin watermark, no cleverly hidden code around the edges of the words. Nothing but the one sentence printed in pencil.

The back of the picture held no clues, and neither did the front. Eleanor fetched a magnifying glass and studied the grains of the photograph, on the off chance that someone had printed tiny messages there.

Nothing.

The enlarged view of Hart’s backside was fine, though. Eleanor studied that through the glass for a good long time.

The only way to speak to Hart alone—indeed, at all—was to ambush him. That night, Eleanor waited until her father had retired to his bedchamber, then she went to the hall outside Hart’s bedroom, one floor below hers. She dragged two chairs from the other side of the hall to the bedchamber door, one chair for Eleanor to sit on and one for her feet.

Hart’s house was larger and grander than most in Mayfair. Naturally. Many London town houses were two rooms deep and one room wide, with a staircase hall opening from the front door and running up through the entire house. Larger houses had rooms tucked behind the staircase and perhaps a second room in front of the staircase on the upper floors.

Hart’s mansion was wide and deep, having rooms on either side of the staircase as well as behind it. The ground floor held the public rooms—a double sitting room on one side, a grand dining room on the other, and a fairly large ballroom running across the back of the house.

The open staircase wound upward through the house in a large, elegant rectangle, the landings forming a gallery around each floor. The first floor above the ground floor held more drawing rooms, a two-room deep library, and another private dining room for the family. The next floor contained Hart’s large study, the smaller study in which Eleanor and Wilfred worked, and Hart’s bedchamber across the back of the house, where Eleanor waited now. She, her father, and Mac and Isabella, occupied rooms above that, with the top floor now holding a makeshift nursery and studio.

Eleanor sat with her back against Hart’s bedchamber door and stretched her feet across to the other chair. A gaslight hissed above her, and she opened a novel from the lending library and started to read.

The novel was a thrilling one, with a blackhearted villain determined to bring down the innocent heroine, the hero always stuck in a jungle fighting tigers or some such thing whenever the heroine was in trouble. Never around when you needed them, heroes. The hiss of the gaslight was soothing, the air warm, and her eyes drifted shut.

She jumped awake, her book falling with a crash, to find Hart Mackenzie standing over her.

Eleanor scrambled to her feet. Hart remained where he was, unmoving, his cravat off and dangling from one hand. He was waiting for her to explain herself—typical.

He was dressed in Mackenzie plaid and formal coat, his shirt open to reveal the damp hollow of his throat. His eyes were red-tinged with drink, his face dark with whiskers. He smelled heavily of cheroot smoke, night air, and a woman’s perfume.

Eleanor hid her dart of dismay at the perfume, and cleared her throat. “I’m afraid that the only way I can speak to you, Hart, is to lie in wait like a tiger… in a jungle. I wish to discuss the photographs with you.”

“Not now,” Hart said.

He shoved aside the chair and made to open his bedchamber door, but Eleanor stepped in front of him. “My, you are in a temper. You’d never speak to me about them, if you had your way. The house is asleep. We can be private. I have things to ask you.”