I hated hurting him. Most of the time, I could forget about it, but the inexorable truth is this: They might be glad to have me around, but I was the alpha and the omega of my parents’ suffering.
Just before the Miracle, when I was in the ICU and it looked like I was going to die and Mom was telling me it was okay to let go, and I was trying to let go but my lungs kept searching for air, Mom sobbed something into Dad’s chest that I wish I hadn’t heard, and that I hope she never finds out that I did hear. She said, “I won’t be a mom anymore.” It gutted me pretty badly.
I couldn’t stop thinking about that during the whole Cancer Team Meeting. I couldn’t get it out of my head, how she sounded when she said that, like she would never be okay again, which probably she wouldn’t.
Anyway, eventually we decided to keep things the same only with more frequent fluid drainings. At the end, I asked if I could travel to Amsterdam, and Dr. Simons actually and literally laughed, but then Dr. Maria said, “Why not?” And Simons said, dubiously, “Why not?” And Dr. Maria said, “Yeah, I don’t see why not. They’ve got oxygen on the planes, after all.” Dr. Simons said, “Are they just going to gate-check a BiPAP?” And Maria said, “Yeah, or have one waiting for her.”
“Placing a patient—one of the most promising Phalanxifor survivors, no less—an eight-hour flight from the only physicians intimately familiar with her case? That’s a recipe for disaster.”
Dr. Maria shrugged. “It would increase some risks,” she acknowledged, but then turned to me and said, “But it’s your life.”
Except not really. On the car ride home, my parents agreed: I would not be going to Amsterdam unless and until there was medical agreement that it would be safe.
* * *
Augustus called that night after dinner. I was already in bed—after dinner had become my bedtime for the moment—propped up with a gajillion pillows and also Bluie, with my computer on my lap.
I picked up, saying, “Bad news,” and he said, “Shit, what?”
“I can’t go to Amsterdam. One of my doctors thinks it’s a bad idea.”
He was quiet for a second. “God,” he said. “I should’ve just paid for it myself. Should’ve just taken you straight from the Funky Bones to Amsterdam.”
“But then I would’ve had a probably fatal episode of deoxygenation in Amsterdam, and my body would have been shipped home in the cargo hold of an airplane,” I said.
“Well, yeah,” he said. “But before that, my grand romantic gesture would have totally gotten me laid.”
I laughed pretty hard, hard enough that I felt where the chest tube had been.
“You laugh because it’s true,” he said.
I laughed again.
“It’s true, isn’t it!”
“Probably not,” I said, and then after a moment added, “although you never know.”
He moaned in misery. “I’m gonna die a virgin,” he said.
“You’re a virgin?” I asked, surprised.
“Hazel Grace,” he said, “do you have a pen and a piece of paper?” I said I did. “Okay, please draw a circle.” I did. “Now draw a smaller circle within that circle.” I did. “The larger circle is virgins. The smaller circle is seventeen-year-old guys with one leg.”
I laughed again, and told him that having most of your social engagements occur at a children’s hospital also did not encourage promiscuity, and then we talked about Peter Van Houten’s amazingly brilliant comment about the sluttiness of time, and even though I was in bed and he was in his basement, it really felt like we were back in that uncreated third space, which was a place I really liked visiting with him.
Then I got off the phone and my mom and dad came into my room, and even though it was really not big enough for all three of us, they lay on either side of the bed with me and we all watched ANTM on the little TV in my room. This girl I didn’t like, Selena, got kicked off, which made me really happy for some reason. Then Mom hooked me up to the BiPAP and tucked me in, and Dad kissed me on the forehead, the kiss all stubble, and then I closed my eyes.
The BiPAP essentially took control of my breathing away from me, which was intensely annoying, but the great thing about it was that it made all this noise, rumbling with each inhalation and whirring as I exhaled. I kept thinking that it sounded like a dragon breathing in time with me, like I had this pet dragon who was cuddled up next to me and cared enough about me to time his breaths to mine. I was thinking about that as I sank into sleep.
I got up late the next morning. I watched TV in bed and checked my email and then after a while started crafting an email to Peter Van Houten about how I couldn’t come to Amsterdam but I swore upon the life of my mother that I would never share any information about the characters with anyone, that I didn’t even want to share it, because I was a terribly selfish person, and could he please just tell me if the Dutch Tulip Man is for real and if Anna’s mom marries him and also about Sisyphus the Hamster.
But I didn’t send it. It was too pathetic even for me.
Around three, when I figured Augustus would be home from school, I went into the backyard and called him. As the phone rang, I sat down on the grass, which was all overgrown and dandeliony. That swing set was still back there, weeds growing out of the little ditch I’d created from kicking myself higher as a little kid. I remembered Dad bringing home the kit from Toys “R” Us and building it in the backyard with a neighbor. He’d insisted on swinging on it first to test it, and the thing damn near broke.
The sky was gray and low and full of rain but not yet raining. I hung up when I got Augustus’s voice mail and then put the phone down in the dirt beside me and kept looking at the swing set, thinking that I would give up all the sick days I had left for a few healthy ones. I tried to tell myself that it could be worse, that the world was not a wish-granting factory, that I was living with cancer not dying of it, that I mustn’t let it kill me before it kills me, and then I just started muttering stupid stupid stupid stupid stupid stupid over and over again until the sound unhinged from its meaning. I was still saying it when he called back.
“Hi,” I said.
“Hazel Grace,” he said.
“Hi,” I said again.
“Are you crying, Hazel Grace?”
“Kind of?”
“Why?” he asked.
“’Cause I’m just—I want to go to Amsterdam, and I want him to tell me what happens after the book is over, and I just don’t want my particular life, and also the sky is depressing me, and there is this old swing set out here that my dad made for me when I was a kid.”
“I must see this old swing set of tears immediately,” he said. “I’ll be over in twenty minutes.”
I stayed in the backyard because Mom was always really smothery and concerned when I was crying, because I did not cry often, and I knew she’d want to talk and discuss whether I shouldn’t consider adjusting my medication, and the thought of that whole conversation made me want to throw up.
It’s not like I had some utterly poignant, well-lit memory of a healthy father pushing a healthy child and the child saying higher higher higher or some other metaphorically resonant moment. The swing set was just sitting there, abandoned, the two little swings hanging still and sad from a grayed plank of wood, the outline of the seats like a kid’s drawing of a smile.
Behind me, I heard the sliding-glass door open. I turned around. It was Augustus, wearing khaki pants and a short-sleeve plaid button-down. I wiped my face with my sleeve and smiled. “Hi,” I said.
It took him a second to sit down on the ground next to me, and he grimaced as he landed rather ungracefully on his ass. “Hi,” he said finally. I looked over at him. He was looking past me, into the backyard. “I see your point,” he said as he put an arm around my shoulder. “That is one sad goddamned swing set.”
I nudged my head into his shoulder. “Thanks for offering to come over.”