CHAPTER 6
The roads on St. Anne Island were banked on either side by woods that were deeper and darker than any Maris had seen in the Berkshires near their country house, deeper and darker than any she had seen anywhere. They were as deep and dark as the menacing forests described in a story written by the Brothers Grimmediate.
The undergrowth was dense and the trees were towering, making the shadows beneath them impenetrable. Occasionally the rustling of leaves in the thick brush alerted her to the presence of animals, the species and level of danger to human beings unknown. Afraid of what she might see if she looked too
closely, she felt safer keeping her eyes fixed on the road.
She had arrived later than anticipated.
Stormy weather in Atlanta had delayed her connecting flight to Savannah for three hours.
By the time she checked into a hotel and made arrangements for transportation to the island, the sun was setting. The sea island would have been alien territory to her in broad daylight, but the gloaming exaggerated its strangeness and lent it a sinister quality that filled her with misgivings.
As she chugged along in her rented golf cart, she felt extremely vulnerable. The menacing woods intimidated her. They were as unfriendly as the man at the landing from whom she had rented the golf cart.
When she asked him for directions to the home of the local writer, he had responded with a question of his own. "Whada ya want with 'im?"
"Do you know him?"
"Yeah."
"Do you know where he lives?"
"Sure do."
"Can you give me directions, please? He's expecting me."
He looked her up and down. "Is that right?"
She'd unfolded the crude map of the island, given to her by the pilot of the small boat she had
#hired to bring her over from the mainland. ######147
"I'm here, right?" She indicated on the map the landing where the boatman had docked only long enough for her to disembark. "Which way do I go from here?"
"Well, there's only one road leading outta here, ain't there?"
"I can see that," she said with strained patience.
"But according to the map the main road branches off in three directions. Here." She pointed out the marking to him.
"You ain't from around here, are you? You from up north someplace?"
"What difference does it make?"
He had snorted a derisive sound and spat tobacco juice into the dirt, then a stained, chipped fingernail traced the fork she should take.
"You go along, hmm, 'bout three-quarters of a mile beyond the split. A turnoff to the left takes you straight to the house. If you wind up in the 'lantic, you've done went too far." His grin revealed large gaps where teeth should have been.
She had thanked him curtly and set out on the final leg of her trip. The landing's "commercial district" was limited to two places of business
--the cart rental, and Terry's Bar and Grill.
So read a hand-painted sign nailed above a screened door.
Terry's was a circular structure with a corrugated tin roof. The top two-thirds of the exterior walls were screened, but the interior lighting was so dim that all Maris could see was the glow of neon beer signs on the far wall and light fixtures hanging from the ceiling, the kind usually suspended above pool tables. Several vehicles, mostly pickup trucks, were parked at one side of the building. Recorded music emanated through the screened walls.
Out front, a man, presumably Terry, was cooking meat on a large grill while sipping from his longneck bottle of beer. Even after she drove past, she could feel his eyes boring holes in her back until she rounded a bend in the road and was no longer in sight.
She had the road all to herself. No cars or trucks had passed. It seemed the dock was the last outpost of civilization. Having endured this harrowing--and she felt that was a fair adjective
--journey, she wished she could look forward to being graciously received when she arrived at the author's home. Unfortunately, her
#expectations of how she would be greeted were ##149
very low.
Eventually she detected salt air over the dominant scent of evergreens. Realizing that the beach couldn't be much farther, she began looking for the turnoff, but when she reached it, she overshot it.
There was no sign to mark it. It was so narrow and so well camouflaged by foliage that had she not been specifically looking for it, she would have missed it altogether.
Executing a tight U-turn, she steered the cart into the lane. The roadbed was rougher than the main road. The cart jounced over potholes.
Tree branches formed an opaque canopy overhead. The forest here was even thicker, more silent, more foreboding.
She was beginning to think that this venture was foolhardy, that she should be sensible and retreat to the safety of her hotel room in gracious and hospitable Savannah. She could have a room-service meal, a bubble bath, a glass of wine from the mini bar. Thus restored, she could call and try to persuade the author to meet her on neutral turf.
But then she caught her first glimpse of the house and was instantly enchanted.
It was beautiful. Poignantly so.
Beautiful in the way that evokes sadness. An aging film star whose once-gorgeous face now evinced the passage of decades. An antique wedding dress, its lace now yellowed and tattered. A gardenia whose creamy petals had turned brown. The house showed visible signs of former grandeur now lost.
But with its obvious flaws softened by the waning light, it was as lovely as a watercolor painted from a faded but fond memory.
Maris stepped out of the cart and followed a pathway marked by twin rows of spectacular, moss-shrouded live oaks. She climbed the steps as soundlessly as possible. When she reached the veranda, she had a silly urge to tiptoe across it as Jem Finch had done in __To Kill a
_Mockingbird, so as not to alert the spooky Boo Radley to his presence in a place where he was a trespasser, where he didn't belong, and where he wasn't welcome.
Instead she bolstered herself with a deep breath and walked boldly to the front door and reached for the brass knocker.
###"Maris Matherly-Reed?" ##########151
Startled, she jumped. The knocker dropped against the metal plate on the door with a loud clatter. Following the direction from which the unexpected voice had come, she stepped back and looked down the long veranda. A face was peering at her through one of the tall front windows.
"So," he said, "you really came."
"Hello."
He continued to stare at her through the screen, putting her at a distinct disadvantage. She was aware that he could see her much more clearly than she could see him, but she stood her ground. She had come this far.
Finally he said, "Come on in."
She pushed open the glossy black front door and stepped into a wide foyer. He emerged from one of the rooms opening off it, wiping his hands on a stained rag. He was dressed in khaki shorts and an ordinary chambray work shirt, the sleeves rolled up to his elbows. Both articles of clothing were rather baggy and as stained as the rag. On his feet he wore a pair of sneakers that had seen better days.
He glanced beyond her. "You came alone?"
"Yes."
"Mosquitoes are getting in."
"Oh. Sorry." She turned and closed the front door.
"No deputy sheriff along for the ride?"
His voice contained a trace of admonishment.
She felt an explanation was called for. "I resorted to calling the sheriff's office out of desperation. I asked Deputy Harris if he knew anyone living in his county who went by the initials P.M.E. I had no idea he would conduct a search, and I apologize for any embarrassment that caused."
He harrumphed, but whether to accept her apology or dismiss it, she couldn't tell. She was just relieved that he hadn't cursed her and ordered her out. He wasn't as intimidating as she had anticipated. He was older and less physically imposing than his telephone voice had suggested. The drawl was there, but not the brusqueness.
However, he wasn't being overly friendly. His blue eyes were regarding her warily.
"I wasn't sure what to expect when I arrived," she said, hoping to disarm him with her
#honesty. "I was afraid I wouldn't #####153
even be invited inside."
He gave her a once-over that made her rethink her decision not to take the time to freshen up in Savannah. Now she wished she had at least changed clothes. Her traveling suit had been seasonably lightweight for New York, but was too heavy for this climate. It looked citified and grossly out of place. It was also wrinkled from rides in taxis, planes, and a boat.
"You're a long way from Manhattan, Mrs.
Matherly-Reed."
His remark more or less summed up everything she'd been thinking. "More than just geographically.
Except for the golf carts, St. Anne could be in another century."
"The island is primitive in many ways. The people who live here want to keep it that way."
From that she inferred that she was an outsider whom they would have rather remained outside. Feeling self-conscious and wanting to divert attention away from herself, she took a quick look around.
A commanding, unsupported staircase swept upward from the floor of the foyer, but the second story was dark. A dozen questions about the history of the house sprang to mind, but, not wanting to press her luck at having gotten this far, she merely said,
"The house is extraordinary. How long have you lived here?"
"A little over a year. It was in total disrepair."
"Then you've already done a lot to it."
"There's still a lot to be done. In fact, I've been working on a project in the dining room. Would you like to see it?"
"Very much."
He smiled at her, and she smiled back, then he turned and made his way back into the room from which he'd come. The crystal chandelier in the center of the ceiling was swinging slightly. He caught her looking at it.
"One of the first renovations was to install central air-conditioning. The vent blows directly on the chandelier and causes it to sway. At least that's what I choose to believe." He gave an enigmatic laugh, then motioned toward the fireplace.
The ornately carved mantel had been
stripped down to the naked wood and was being prepared for refinishing. "It's become more of a project
#than I had counted on," he admitted. ##155
"Had I known how many layers of varnish and paint former owners had applied, how painstaking and time-consuming it was going to be to strip it all off, I would have hired a professional to do it."
She moved to the mantel and reached out to touch it, then hesitated and looked back at him. "May I?" He motioned for her to go ahead, and she ran her fingertips over the intricate carving of a flowering vine.
"The owner who built the house kept a detailed diary of its construction," he explained. "A slave carved that mantelpiece as well as the balustrade of the staircase. His name was Phineas."
"It's lovely. I'm sure it will be even lovelier when you're finished."
"Parker's expecting it to be. He's a perfectionist."
"Parker?"
"The owner."
She dropped her hand and turned back to him.
"Oh. I assumed you owned the house."
He shook his head in amusement. "I only work here."
"That's awfully generous of him."
"Generous of who?"
"Of Mr. Parker. That he opens his home to you and lets you write here."
He stared at her with perplexity for a moment, then began to laugh. "Mrs. Matherly-Reed, I'm afraid that you're operating under a misconception here, and it's entirely my fault. Obviously you've mistaken me for Parker, the man you've come to see. Parker Evans."
It took a second for her to process, then she smiled with chagrin. "Parker Evans.
Middle initial M."
"You didn't know his name?"
"He didn't tell me."
"You've never heard his name before?"
"Not that I recall. Should I have?"
He studied her for a long moment, then smiled and extended his hand. "I'm Mike Strother.
Forgive me for not making that clear to you when you arrived. I thought you would know immediately that I wasn't Parker."
"I'm pleased to meet you, Mr. Strother."
"Mike."
She smiled at him, liking the older
#gentleman and wondering how she could have #####157
mistaken him for the abrasive individual she had spoken to on the telephone. His eyes were kind, although she sensed that he was still taking her measure, sizing her up, appraising her. His wariness of her had diminished somewhat, but it was still there. Of course, there was no telling what his boss had said about her. It couldn't have been flattering.
"Are you the contractor in charge of the house's restoration?"
"Lord, no. I'm just trying my hand at this refinishing. I've worked for Parker since long before he bought this place."
"In what capacity?"
"I do a little bit of everything," he explained.
"I'm the chief cook and bottle washer, housekeeper, gardener, valet."
"Is he a demanding taskmaster?"
He chuckled. "You have no idea."
Apparently she didn't. Her
preconceptions of Parker M. Evans were being dispelled one by one. He certainly hadn't sounded like a man who would have a manservant at his beck and call. "I'm looking very forward to meeting him."
Mike's eyes shifted away to avoid looking directly at her. "He's not here."
Although she had already gathered that, having it confirmed was not only a crushing disappointment, it was perturbing. "He knew I was coming."
"Oh, he knew, he knew," Mike said, nodding. "He said you sounded just stubborn enough to travel all this way even after he'd told you it would be a waste of your time. But nobody on earth can outstubborn Parker. He didn't want to be sitting around here when you arrived as though he were waiting on you. So he went out."
"Out? Where?"
Maris angrily marched up to the man who'd rented her the golf cart. "Why did you send me all the way out to Mr. Evans's house?"
He smirked. "Knew you's lying 'bout him expecting you."
"Why didn't you tell me he was here?"
"Don't recollect you askin'.was
She was seething, but he was too coarse and stupid to waste her anger on. She would save it for Mr. Parker Evans. She had a lot to say to him. He had probably known about the wild goose chase she'd been sent on. Terry, the
#cook, surely had. His charcoal #######159
grill had gone cold, but he was tending bar when she pulled open the squeaky screen door to his establishment and went inside.
She crossed a bare concrete floor,
splashed through a puddle of what she hoped was beer, and strode past the pool tables straight to the bar at the back of the room. The man who had rented her the cart followed her inside.
Billiard balls stopped clacking.
Conversations died. Someone turned off the boom box. The floor show was about to begin, and the angry New Yorker was the featured act.
Terry was grinning at her sardonically.
"Give me a beer."
His grin slipped a notch. He hadn't
expected that. But he reached into an ice chest and pulled out a longneck bottle of beer. He uncapped it and passed it to her. Foam oozed from the neck. Maris shook it off her hand, took a long drink, then set the bottle on the bar with a hard thump.
"I'm here to see Parker Evans," she announced.
Terry planted his hairy forearms on the bar and leaned across it toward her. "Who should I say is calling?"
His customers guffawed. Terry basked in the success of his clever comeback. He laughed louder than anyone. Maris spun around and confronted the room at large. The interior was thick with tobacco smoke despite the screened walls and the overhead fans. Their desultory rotations didn't eliminate the smog but only stirred it into the warm, humid air.
A dozen pairs of eyes were focused on her.
There was only one other woman in the place. She was wearing crotch-hugging shorts and a clinging tank top that barely contained her pendulous breasts and the tattooed cobra whose flared head and wicked tongue rose out of her cleavage. One hand was insolently propped on her hip, the other held a smoldering black cigarette.
The tavern smelled of beer and grilled meat, tobacco smoke and male sweat. Maris drew a deep breath and tasted those essences in the back of her throat.
"Isn't this rather juvenile, Mr. Evans?"
No one said a word. There was little movement beyond one man glancing at another, jabbing him in the
#ribs and winking. Another gave her a ####161
mocking salute with his beer bottle. One sitting near a pool table idly chalked the tip of his cue.
"To say nothing of rude," she continued.
Forcing herself to move away from the false security of the bar, she approached a group of three men sitting around a table. She looked at each of them carefully. Judging from their moronic leers, she doubted any of them could read without moving his lips, much less write fiction.
"I've come an awfully long way to see you."
"You can go back the same way." The voice issued from a shadowed corner and elicited more chuckles.
She gazed into the face of a man sitting alone.
He was about Mike Strother's age, with a neglected white beard and the weather-beaten face of a seaman. He seemed not to be aware of her or anyone else. His rheumy eyes were fixed on the glass of dark liquor cradled between his callused hands.
"Mr. Evans, the least you could do is give me ten minutes of your time."
"Come on over here and bend over, honey," a nasally voice invited. "I'll give you the best ten minutes you've ever had."
"In your dreams, Dwayne," the tattooed woman drawled. "You can't keep it up more'n two."
Laughter erupted, louder than before. The woman was high-fived by the man standing nearest her, but he said, "Ol' Dwayne's got the right idea, though."
"Yeah, Yankee lady. You don't know what you're missin' till you've been rid hard by a horny southern boy."
Maris had experienced catcalls from construction workers made anonymous by distance and hard hats.
She had received obscene propositions by crank callers and men lurking in recessed doorways on the sidewalks of the city. When she was seventeen, she had been groped in the subway and to this day the memory of it made her skin crawl.
But having been the victim of crude behavior hadn't made her immune to it. Their vulgarity got to her, but not in the way they expected. It didn't frighten her; it made her angry. In fact, it made her mad as hell.
Not even attempting to disguise her contempt,
#she said, "Whoever you are, Mr. #########163
Evans, you're a damn coward."
The snickering ceased abruptly. Silence fell like a lead curtain. Any other insult was pardonable, but apparently cowardice wasn't.
Name-calling couldn't get more serious than that.
Using it as her exit line, she made a beeline for the door. As she passed a billiards table, a pool cue arced down in front of her like the arm of a toll gate. She ran into it, connecting with her pelvic bones hard enough to make a smacking sound.
She pitched forward, but broke her fall against the stick. She took hold of it in a tight grip and tried to shove it out of her way, but it was unyielding. Turning her head toward the man holding it, she realized he was the one she'd noticed earlier chalking the pool cue.
"I'm Parker Evans."
Maris was astonished. Not by his audacity or the hostile eyes that reflected the red glow of a neon sign as they glared up at her.
What astonished her was the wheelchair in which he sat.