He wakes up just after eight. It’s bright outside the window and the carriage is warming up, a heavy warmth of breath and sweat. Minor train stations with unreadable names flash past and vanish. Elaine is already awake but Niall is still sleeping. Connell rubs his left eye with his knuckles and sits up. Elaine is reading the one novel she has brought with her on the journey, a novel with a glossy cover and the words Now a Major Motion Picture along the top. The actress on the front has been their constant companion for weeks. Connell feels an almost friendly affinity with her pale period-drama face.

Whereabouts are we, do you know? says Connell.

Elaine looks up from the book. We passed Ljubljana about two hours ago, she says.

Oh, right, he says. We’re not far, then.

Connell looks over at Niall, whose sleeping head is bobbing slightly on his neck. Elaine follows his gaze. Out for the count as usual, she says.

There were others at the beginning. Some friends of Elaine’s went with them from Berlin to Prague, and they met a few of Niall’s Engineering classmates in Bratislava before they crossed over to Vienna on the train. Hostels were cheap, and the cities they visited had a pleasantly temporary feeling about them. Nothing Connell did there seemed to stay with him. The whole trip felt like a series of short films, screened only once, and afterwards he had a sense of what they were about but no exact memories of the plot. He remembers seeing things out the windows of taxis.

In each city he finds an internet cafe and completes the same three rituals of communication: he calls Helen on Skype, he sends his mother a free text message from his phone network’s website, and he writes Marianne an email.

Helen is on a J1 in Chicago for the summer. In the background of their calls he can hear her girlfriends chatting, doing things with each other’s hair, and sometimes Helen will turn and say something to them like: Guys, please! I’m on the phone! He loves seeing her face on-screen, especially when the connection is good and her movements are smooth and lifelike. She has a great smile, great teeth. After the end of their call yesterday he paid at the counter, walked back out into the sunshine and bought himself an overpriced glass of Coke with ice. Sometimes when Helen has a lot of friends around or if the internet cafe is especially crowded, their conversations can get a little awkward, but even still he feels better after talking to her. He finds himself rushing to the end of the conversation so they can hang up, and then he can retrospectively savour how much he likes seeing her, without the moment-to-moment pressure of having to produce the right expressions and say the right things. Just to see Helen, her beautiful face, her smile, and to know that she continues loving him, this puts the gift of joy into his day, and for hours he feels nothing but a light-headed happiness.

Helen has given Connell a new way to live. It’s as if an impossibly heavy lid has been lifted off his emotional life and suddenly he can breathe fresh air. It is physically possible to type and send a message reading: I love you! It had never seemed possible before, not remotely, but in fact it’s easy. Of course if someone saw the messages he would be embarrassed, but he knows now that this is a normal kind of embarrassment, an almost protective impulse towards a particularly good part of life. He can sit down to dinner with Helen’s parents, he can accompany her to her friends’ parties, he can tolerate the smiling and the exchange of repetitive conversation. He can squeeze her hand while people ask him questions about his future. When she touches him spontaneously, applying a little pressure to his arm, or even reaching to brush a piece of lint off his collar, he feels a rush of pride, and hopes that people are watching them. To be known as her boyfriend plants him firmly in the social world, establishes him as an acceptable person, someone with a particular status, someone whose conversational silences are thoughtful rather than socially awkward.

The texts he sends Lorraine are fairly businesslike. He updates her when they see historic landmarks or cultural treasures. Yesterday:

She likes to ask how Helen’s doing. The first time they met, Helen and his mother hit it off right away. Whenever Helen visits, Lorraine is always shaking her head at Connell’s little behaviours and saying: How do you put up with him, sweetheart? But whatever, it’s nice they get along. Helen is the first girlfriend he has introduced to his mother and he finds he’s curiously eager to impress on Lorraine how normal their relationship is and how nice a person Helen considers him to be. He’s not sure where this stems from exactly.

In the weeks they’ve been apart, his emails to Marianne have become lengthy. He’s started drafting them on his phone in idle moments, while waiting for his clothes in a launderette, or lying in the hostel at night when he can’t sleep for the heat. He reads over these drafts repeatedly, reviewing all the elements of prose, moving clauses around to make the sentences fit together correctly. Time softens out while he types, feeling slow and dilated while actually passing very rapidly, and more than once he’s looked up to find that hours have gone by. He couldn’t explain aloud what he finds so absorbing about his emails to Marianne, but he doesn’t feel that it’s trivial. The experience of writing them feels like an expression of a broader and more fundamental principle, something in his identity, or something even more abstract, to do with life itself. In his little grey journal he wrote recently: idea for a story told through emails? Then he crossed it out, deciding it was gimmicky. He finds himself crossing things out in his journal as if he imagines some future person poring over it in detail, as if he wants the future person to know which ideas he has thought better of.

His correspondence with Marianne includes a lot of links to news reports. At the moment they’re both engrossed in the Edward Snowden story, Marianne because of her interest in the architecture of global surveillance, and Connell because of the fascinating personal drama. He reads all the speculation online, he watches the blurry footage from Sheremetyevo Airport. He and Marianne can only talk about it over email, using the same communication technologies they now know are under surveillance, and it feels at times like their relationship has been captured in a complex network of state power, that the network is a form of intelligence in itself, containing them both, and containing their feelings for one another. I feel like the NSA agent reading these emails has the wrong impression of us, Marianne wrote once. They probably don’t know about the time you didn’t invite me to the Debs.

She writes to him a lot about the house where she’s staying with Jamie and Peggy, outside Trieste. She recounts the goings-on, how she feels, how she surmises the others are feeling, and what she’s reading and thinking about. He writes to her about the cities they visit, sometimes including a paragraph describing a particular sight or scene. He wrote about coming up from the U-Bahn station in Schönleinstraße to find it was suddenly dark out, and the fronds of trees waving over them like spooky fingers, and the noise from bars, and the smell of pizza and exhaust fumes. It feels powerful to him to put an experience down in words, like he’s trapping it in a jar and it can never fully leave him. He told Marianne once that he’d been writing stories, and now she keeps asking to read them. If they’re as good as your emails they must be superb, she wrote. That was a nice thing to read, though he responded honestly: They’re not as good as my emails.

He and Niall and Elaine have arranged to get the train from Vienna to Trieste to spend their last few nights in Marianne’s holiday home, before they all fly back to Dublin together. A day trip to Venice has been mentioned. Last night they got on the train with their backpacks and Connell texted Marianne: should be there by tomorrow afternoon, won’t have time to reply to your email properly before then. He has almost no clean clothes left by now. He’s wearing a grey T-shirt, black jeans and dirty white trainers. In his backpack: various lightly soiled clothes, one clean white T-shirt, an empty plastic bottle for water, clean underwear, a rolled-up phone charger, his passport, two packets of generic paracetamol, a very beaten-up copy of a James Salter novel, and for Marianne, an edition of Frank O’Hara’s selected poems he found in an English-language bookshop in Berlin. One soft-covered grey notebook.

Elaine nudges Niall until his head jerks forward and his eyes open. He asks what time it is and where they are, and Elaine tells him. Then Niall links his fingers together and stretches his arms out in front of him. His joints crack quietly. Connell looks out the window at the passing landscape: dry yellows and greens, the orange slant of a tiled roof, a window cut flat by the sun and flashing.

The university scholarships were announced back in April. The Provost stood on the steps of the Exam Hall and read out a list of the scholars. The sky was extremely blue that day, delirious, like flavoured ice. Connell was wearing his jacket and Helen had her arm wrapped around his. When it came to English they read out four names, alphabetically, and the last one was: Connell Waldron. Helen threw her arms around him. That was it, they said his name and moved on. He waited in the square until they announced History and Politics, and when he heard Marianne’s name he looked around to see her. He could hear a circle of her friends cheering, and some applause. He put his hands in his pockets. Hearing Marianne’s name he realised how real it was, he really had won the scholarship, they both had. He doesn’t remember much of what happened then. He remembers calling Lorraine after the announcements and she was just quiet on the phone, shocked, and then she murmured: Oh my god, Jesus Christ.

Niall and Elaine arrived beside him, cheering and slapping his back and calling him ‘an absolute fucking nerd’. Connell was laughing at nothing, just because so much excitement demanded some kind of outward expression and he didn’t want to cry. That night all the new scholars had to go to a formal black-tie meal together in the Dining Hall. Connell borrowed a tux from someone in his class, it didn’t fit very well, and at dinner he felt awkward trying to make conversation with the English professor seated next to him. He wanted to be with Helen, and with his friends, not with these people he had never met before and who knew nothing about him.

Everything is possible now because of the scholarship. His rent is paid, his tuition is covered, he has a free meal every day in college. This is why he’s been able to spend half the summer travelling around Europe, disseminating currency with the carefree attitude of a rich person. He’s explained it, or tried to explain it, in his emails to Marianne. For her the scholarship was a self-esteem boost, a happy confirmation of what she has always believed about herself anyway: that she’s special. Connell has never really known whether to believe that about himself, and he still doesn’t know. For him the scholarship is a gigantic material fact, like a vast cruise ship that has sailed into view out of nowhere, and suddenly he can do a postgraduate programme for free if he wants to, and live in Dublin for free, and never think about rent again until he finishes college. Suddenly he can spend an afternoon in Vienna looking at Vermeer’s The Art of Painting, and it’s hot outside, and if he wants he can buy himself a cheap cold glass of beer afterwards. It’s like something he assumed was just a painted backdrop all his life has revealed itself to be real: foreign cities are real, and famous artworks, and underground railway systems, and remnants of the Berlin Wall. That’s money, the substance that makes the world real. There’s something so corrupt and sexy about it.

They get to Marianne’s house at three, in baking afternoon heat. The undergrowth outside the gate hums with insects and a ginger cat is lying on the bonnet of a car across the street. Through the gate Connell can see the house, the same way it looks in the photographs she’s sent him, a stonework facade and white-shuttered windows. He sees the garden table with two cups left on its surface. Elaine rings the bell and after a few seconds someone appears from around the side of the house. It’s Peggy. Lately Connell has become convinced that Peggy doesn’t like him, and he finds himself watching her behaviour for evidence. He doesn’t like her either, and never has, but that doesn’t strike him as relevant. She races towards the gate, her sandals clapping on the gravel. The heat beats down on the back of Connell’s neck like the feeling of human eyes staring. She unlocks the gate and lets them in, grinning and saying ciao, ciao. She’s wearing a short denim dress and huge black sunglasses. They all walk up the gravel towards the house, Niall carrying Elaine’s backpack as well as his own. Peggy fishes a set of keys from her dress pocket and unlocks the front door.

Inside the hall a stone archway leads down a short flight of steps. The kitchen is a long room with terracotta tiles, white cupboards and a table by the garden doors, flooded with sunlight. Marianne is standing outside, in the back garden among the cherry trees, with a laundry basket in her arms. She’s wearing a white dress with a halter-neck and her skin looks tanned. She’s been hanging washing on the line. The air outside is very still and the laundry hangs there in damp colours, not moving. Marianne puts her hand to the door handle and then sees them inside. This all seems to happen very slowly, though it only takes a few seconds. She opens the door and puts the basket on the table, and he feels a sort of enjoyably painful sensation in his throat. Her dress looks immaculate and he’s conscious of how unwashed he must appear, not having showered since they left the hostel yesterday morning, and that his clothes aren’t really clean.

Hello, says Elaine.

Marianne smiles and says ciao, as if she’s making fun of herself, and she kisses Elaine’s cheeks and then Niall’s and asks about their journey and Connell stands there, overwhelmed by this feeling, which might only be total exhaustion, an exhaustion that has been accumulating for weeks. He can smell the scent of laundry. Up close he sees Marianne’s arms are lightly freckled, her shoulders a bright rose colour. Presently she turns to him and they exchange kisses on each cheek. Looking in his eyes she says: Well, hello. He senses a certain receptivity in her expression, like she’s gathering information about his feelings, something they have learned to do to each other over a long time, like speaking a private language. He can feel his face get warm as she looks at him but he doesn’t want to look away. He can gather information from her face too. He gathers that she has things she wants to tell him.

Hi, he says.

Marianne has accepted an offer to spend her third year of college in Sweden. She’ll be leaving in September and, depending on their plans for Christmas, Connell may not see her again until next June. People are always telling him he’s going to miss her, but until now he’s been looking forward to how long and intense their email correspondence will be while she’s away. Now he looks into her cold interpretive eyes and thinks: Okay, I will miss her. He feels ambivalent about this, as if it’s disloyal of him, because maybe he’s enjoying how she looks or some physical aspect of her closeness. He’s not sure what friends are allowed to enjoy about each other.

In a series of emails they exchanged recently about their own friendship, Marianne expressed her feelings about Connell mainly in terms of her sustained interest in his opinions and beliefs, the curiosity she feels about his life, and her instinct to survey his thoughts whenever she feels conflicted about anything. He expressed himself more in terms of identification, his sense of rooting for her and suffering with her when she suffers, his ability to perceive and sympathise with her motivations. Marianne thought this had something to do with gender roles. I think I just like you a lot as a person, he replied defensively. That’s actually very sweet, she wrote back.

Jamie comes down the steps behind them now and they all turn around to greet him. Connell makes a half-nodding gesture, just barely inclining his chin upwards. Jamie gives him a mocking smile and says: You’re looking rough, mate. Jamie has been a continual object of loathing and derision for Connell since he became Marianne’s boyfriend. For several months after he first saw them together Connell had compulsive fantasies about kicking Jamie in the head until his skull was the texture of wet newspaper. Once, after speaking to Jamie briefly at a party, Connell left the building and punched a brick wall so hard his hand started bleeding. Jamie is somehow both boring and hostile at the same time, always yawning and rolling his eyes when other people are speaking. And yet he is the most effortlessly confident person Connell has ever met. Nothing fazes him. He doesn’t seem capable of internal conflict. Connell can imagine him choking Marianne with his bare hands and feeling completely relaxed about it, which according to her he in fact does.

Marianne puts on a pot of coffee while Peggy cuts bread into slices and arranges olives and Parma ham onto plates. Elaine is telling them about Niall’s antics and Marianne is laughing in a generous way, not because the stories are so funny but to make Elaine feel welcome. Peggy passes plates around the table and Marianne touches Connell’s shoulder and hands him a cup of coffee. Because of the white dress and because of the small white china cup, he wants to say: You look like an angel. It’s not even something Helen would mind him saying, but he can’t talk like that in front of people anyway, saying whimsical affectionate things. He drinks the coffee, he eats some bread. The coffee is very hot and bitter and the bread is soft and fresh. He starts to feel tired.

After lunch he goes upstairs to shower. There are four bedrooms, so he has one to himself, with a huge sash window over the garden. After his shower he dresses in the only presentable clothes he has left: a plain white T-shirt and the blue jeans he has had since he was in school. His hair is wet. He feels clearheaded, an effect of the coffee, and the high water pressure in the shower, and the cool cotton on his skin. He hangs the damp towel over his shoulders and opens the window. Cherries hang on the dark-green trees like earrings. He thinks about this phrase once or twice. He would put it in an email to Marianne, but he can’t email her when she’s downstairs. Helen wears earrings, usually a pair of tiny gold hoops. He lets himself fantasise about her briefly because he can hear the others are downstairs anyway. He thinks about her lying on her back. He should have thought about it in the shower, but he was tired. He needs the WiFi code for this house.

Like Connell, Helen was popular in school. She still goes to lengths to keep in touch with old friends and extended family, remembering birthdays, posting nostalgic photographs on Facebook. She always RSVPs to parties and arrives on time, she’s always taking group photographs again and again until there’s one everybody is happy with. In other words she’s a nice person, and Connell is beginning to understand that he actually likes nice people, that he even wants to be one. She’s had one serious boyfriend in the past, a guy called Rory, who she broke up with in first year of college. He’s in UCD so Connell has never bumped into him, but he has looked at his photographs on Facebook. He’s not unlike Connell in build and complexion, but somehow gawky-looking and unfashionable. Connell admitted to Helen once that he’d looked him up online, and she asked what he’d made of him.

I don’t know, said Connell. He seems kind of uncool, doesn’t he?

She thought that was hilarious. They were lying in bed, Connell had his arm around her.

Is that your type, you like uncool guys? he said.

You tell me.

Why, am I uncool?

I think so, she said. I mean that in a nice way, I don’t like cool people.

He sat up slightly to look down at her.

Am I really? he said. I’m not offended but honestly, I thought I was kind of cool.

You’re such a culchie, though.

Am I? In what way am I?

You have the thickest Sligo accent, she said.

I do not. I can’t believe that. No one’s ever said that to me before. Do I really?

She was still laughing. He stroked his hand over her belly, grinning to himself because he was making her laugh.

I can hardly understand you half the time, she said. Thankfully you’re the strong and silent type.

He had to laugh then too. Helen, that is brutal, he said.

She tucked a hand behind her head. Do you honestly think you’re cool? she said.

Well, not anymore.

She smiled to herself. Good, she said. It’s good that you’re not.

Helen and Marianne first met back in February, on Dawson Street. He and Helen were walking along holding hands when he saw Marianne coming out of Hodges Figgis wearing a black beret. Oh, hi, he said in an agonised voice. He thought of dropping Helen’s hand but he couldn’t bring himself to do it. Hi, Marianne said. You must be Helen. The two women then made perfectly competent and genial conversation while he stood there panicking and staring at various objects in the surrounding environment.

Afterwards Helen asked him: So you and Marianne, were you always just friends, or …? They were in his room then, off Pearse Street. Buses went by outside and threw a column of yellow light on the bedroom door.

Yeah, more or less, he said. Like, we were never together as such.

But you’ve slept together.

Yeah, kind of. No, yeah, to be fair, we have. Is that a big deal?

No, I’m just curious, said Helen. It was like a friends-with-benefits thing?

Basically. In final year of school, and for a while last year. It wasn’t serious or anything.

Helen smiled at him. He was raking his bottom lip with his teeth, something he remembered to stop doing only after she’d already seen him.

She looks like she goes to art college, said Helen. I guess you think she’s really chic.

He gave a little laugh, looked at the floor. It’s not like that, he said. We’ve known each other since we were kids.

It doesn’t have to be weird that she’s your ex, Helen said.

She’s not my ex. We’re just friends.

But before you were friends, you were …

Well, she wasn’t my girlfriend, he said.

But you had sex with her, though.

He covered his entire face in his hands. Helen laughed.

After that, Helen was determined to make friends with Marianne, as if to prove a point. When they saw her at parties Helen went out of her way to compliment her hair and clothing, and Marianne would nod vaguely and then continue expressing some in-depth opinion about the Magdalene Laundry report or the Denis O’Brien case. Objectively Connell did find Marianne’s opinions interesting, but he could see how her fondness for expressing them at length, to the exclusion of lighter conversation, was not universally charming. One evening, after an overly long discussion about Israel, Helen became irritable, and on the walk home she told Connell that she found Marianne ‘self-absorbed’.

Because she talks about politics too much? said Connell. I wouldn’t call that self-absorbed, though.

Helen shrugged, but drew a breath inwards through her nose that indicated she didn’t like his interpretation of her point.

She was the same way in school, he added. But she’s not putting it on, she’s genuinely interested in that stuff.

She really cares about Israeli peace talks?

Surprised, Connell replied simply: Yeah. After a few seconds of walking along in silence he added: As do I, to be honest. It is fairly important. Helen sighed aloud. He was surprised that she would sigh in that petulant way, and wondered how much she had had to drink. Her arms were folded up at her chest. Not being preachy, he went on. Obviously we’re not going to save the Middle East by talking about it at a house party. I think Marianne just thinks about that stuff a lot.

You don’t think maybe she does it for the attention? said Helen.

He frowned in a conscious effort to look thoughtful. Marianne was so totally uninterested in what people thought of her, so extremely secure in her own self-perception, that it was hard to imagine her caring for attention one way or another. She did not altogether, as far as Connell knew, actually like herself, but praise from other people seemed as irrelevant to her as disapproval had been in school.

Honestly? he said. Not really.

She seems to like your attention well enough.

Connell swallowed. He only then understood why Helen was so annoyed, and not trying to veil her annoyance. He didn’t think Marianne had been paying him any special notice, though she did always listen when he spoke, a courtesy she occasionally failed to pay others. He turned his head to look at a passing car.

I didn’t notice that, he said eventually.

To his relief, Helen dropped this specific theme and settled back into a more general critique of Marianne’s behaviour.

Every time we see her at a party she’s always flirting with like ten different guys, said Helen. Talk about craving male approval.

Pleased that he was no longer implicated in the censure, Connell smiled and said: Yeah. She wasn’t like that in school at all.

You mean she didn’t act so slutty? said Helen.

Feeling suddenly cornered, and regretting that he had let his guard down, Connell again fell silent. He knew that Helen was a nice person, but he forgot sometimes how old-fashioned her values were. After a time he said uncomfortably: Here, she’s my friend, alright? Don’t be talking about her like that. Helen didn’t respond, but hiked her folded arms further up her chest. It was the wrong thing to say anyway. Later he would wonder if he was really defending Marianne or just defending himself from an implied accusation about his own sexuality, that he was tainted somehow, that he had unacceptable desires.

By now the unspoken consensus is that Helen and Marianne don’t like each other very much. They’re different people. Connell thinks the aspects of himself that are most compatible with Helen are his best aspects: his loyalty, his basically practical outlook, his desire to be thought of as a good guy. With Helen he doesn’t feel shameful things, he doesn’t find himself saying weird stuff during sex, he doesn’t have that persistent sensation that he belongs nowhere, that he never will belong anywhere. Marianne had a wildness that got into him for a while and made him feel that he was like her, that they had the same unnameable spiritual injury, and that neither of them could ever fit into the world. But he was never damaged like she was. She just made him feel that way.

One night he was waiting for Helen in college, just outside the Graduates Memorial Building. She was coming from the gym at the other end of campus and they were going to get the bus to her house together. He was standing on the steps looking at his phone when the door behind him opened and a group of people came out in formal dresses and suits, all laughing and talking together. The light in the hallway behind them cast them into silhouette, so it took him a second to recognise Marianne. She was wearing a long dark-coloured dress and had her hair piled up high on her head, making her neck look slender and exposed. She caught his eye with a familiar expression. Hello, she said. He didn’t know the people she was with; he guessed they were from the debating society or something. Hi, he said. How could his feeling for her ever be anything like his feeling for other people? But part of the feeling was knowing the terrible hold he’d had over her, and still had, and could not foresee ever losing.

Helen arrived then. He only noticed her when she called out to him. She was wearing her leggings and trainers, gym bag slung over one shoulder, a damp sheen on her forehead visible under the street light. He felt a vast rush of love for her, love and compassion, almost sympathy. He knew that he belonged with her. What they had together was normal, a good relationship. The life they were living was the right life. He took the bag off her shoulder and lifted a hand to wave Marianne goodbye. She didn’t wave back, she just nodded. Have fun! Helen said. Then they went to get the bus. He was sad for Marianne after that, sad that nothing in her life had ever truly seemed healthy, and sad that he’d had to turn away from her. He knew that it had caused her pain. In a way he was even sad for himself. Sitting on the bus he continued to picture her standing in the doorway with the light behind her: how exquisite she looked, and what a glamorous, formidable person she was, and that subtle expression that came over her face when she looked at him. But he couldn’t be what she wanted. After a time he realised Helen was speaking, and he stopped thinking about all that and started listening.

For dinner Peggy cooks pasta and they eat at the round garden table. The sky is a thrilling chlorine-blue, stretched taut and featureless like silk. Marianne brings a cold bottle of sparkling wine out from the house, with condensation running down the glass like sweat, and asks Niall to open it. Connell finds this decision judicious. Marianne is very smooth and sociable on these occasions, like a diplomat’s wife. Connell is seated between her and Peggy. The cork sails over the garden wall and lands somewhere no one can see it. A crest of white spills over the lip of the bottle and Niall pours the wine into Elaine’s glass. The glasses are broad and shallow like saucers. Jamie turns his empty one upside down and says: Do we not have proper champagne glasses?

These are champagne glasses, says Peggy.

No, I mean the tall ones, Jamie says.

You’re thinking of flutes, says Peggy. These are coupes.

Helen would laugh at this conversation, and thinking of how much she would laugh, Connell smiles. Marianne says: It’s not a matter of life and death, is it? Peggy fills her glass and passes the bottle to Connell.

I’m just saying, these aren’t for champagne, says Jamie.

You’re such a philistine, Peggy says.

I’m a philistine? he says. We’re drinking champagne out of gravy boats.

Niall and Elaine start laughing, and Jamie smiles under the mistaken impression that they are laughing at his witticism. Marianne touches a fingertip to her eyelid lightly, as if removing a piece of dust or grit. Connell hands her the bottle and she accepts it.

It’s an old style of champagne glass, says Marianne. They belonged to my dad. Go inside and get yourself a flute if you prefer, they’re in the press over the sink.

Jamie makes wide ironic eyes and says: I didn’t realise it was such an emotional issue for you. Marianne puts the bottle in the centre of the table and says nothing. Connell has never heard Marianne mention her father like that in casual conversation. Nobody else at the table seems aware of this; Elaine may not even know Marianne’s father is dead. Connell tries to catch Marianne’s eye, but he can’t.

The pasta is delicious, says Elaine.

Oh, says Peggy. It’s very al dente, isn’t it? Maybe too al dente.

I think it’s nice, Marianne says.

Connell takes a mouthful of wine, which foams cold in his mouth and then disappears like air. Jamie starts telling an anecdote about one of his friends, who is on a summer internship at Goldman Sachs. Connell finishes his wine and unobtrusively Marianne refills his glass. Thanks, he says quietly. Her hand hovers for a second as if she’s going to touch him, and then she doesn’t. She says nothing.

The morning after the scholarships were announced, he and Marianne went to the swearing-in ceremony together. She’d been out the night before and looked hungover, which pleased him, because the ceremony was so formal and they had to wear gowns and recite things in Latin. Afterwards they went for breakfast together in a cafe near college. They sat outside, at a table on the street, and people walked by carrying paper shopping bags and having loud conversations on the phone. Marianne drank a single cup of black coffee and ordered a croissant which she didn’t finish. Connell had a large ham-and-cheese omelette with two slices of buttered toast, and tea with milk in it.

Marianne said she was worried about Peggy, who was the only one of the three of them not to get the scholarship. She said it would be hard on her. Connell inhaled and said nothing. Peggy didn’t need subsidised tuition or free on-campus accommodation, because she lived at home in Blackrock and her parents were both doctors, but Marianne was intent on seeing the scholarships as a matter of personal feeling rather than economic fact.

Anyway, I’m happy for you, Marianne said.

I’m happy for you too.

But you deserve it more.

He looked up at her. He wiped his mouth with the napkin. You mean in terms of the financial stuff? he said.

Oh, she replied. Well, I meant that you’re a better student.

She looked down critically at her croissant. He watched her.

Though in terms of financial circumstances too, obviously, she said. I mean, it’s kind of ridiculous they don’t means-test these things.

I guess we’re from very different backgrounds, class-wise.

I don’t think about it much, she said. Quickly she added: Sorry, that’s an ignorant thing to say. Maybe I should think about it more.

You don’t consider me your working-class friend?

She gave a smile that was more like a grimace and said: I’m conscious of the fact that we got to know each other because your mother works for my family. I also don’t think my mother is a good employer, I don’t think she pays Lorraine very well.

No, she pays her fuck all.

He cut a thin slice of omelette with his knife. The egg was more rubbery than he would have liked.

I’m surprised this hasn’t come up before, she said. I think it’s totally fair if you resent me.

No, I don’t resent you. Why would I?

He put his knife and fork down and looked at her. She had an anxious little expression on her face.

I just feel weird about all this, he said. I feel weird wearing black tie and saying things in Latin. You know at the dinner last night, those people serving us, they were students. They’re working to put themselves through college while we sit there eating the free food they put in front of us. Is that not horrible?

Of course it is. The whole idea of ‘meritocracy’ or whatever, it’s evil, you know I think that. But what are we supposed to do, give back the scholarship money? I don’t see what that achieves.

Well, it’s always easy to think of reasons not to do something.

You know you’re not going to do it either, so don’t guilttrip me, she said.

They continued eating then, as if they were acting out an argument in which both sides were equally compelling, and they had chosen their positions more or less at random, only in order to have the discussion out. A large seagull landed at the base of a nearby street light, its plumage magnificently clean and soft-looking.

You need to get it straight in your mind what you think a good society would look like, said Marianne. And if you think people should be able to go to college and get English degrees, you shouldn’t feel guilty for doing that yourself, because you have every right to.

That’s okay for you, you don’t feel guilty about anything.

She started rooting around in her handbag looking for something. Offhandedly she said: Is that how you see me?

No, he said. Then, uncertain of how guilty he thought Marianne felt about anything, he added: I don’t know. I should have known coming to Trinity that it would be like this. I’m just looking at all this scholarship stuff thinking, Jesus, what would people in school say?

For a second Marianne said nothing. He felt in some obscure sense that he had expressed himself incorrectly, but he didn’t know how. To be fair, she said, you were always very concerned with what people in school would say. He remembered then, about how people had treated her at that time, and how he himself had treated her, and he felt bad. It wasn’t the conclusion he was hoping the conversation would have, but he smiled and said: Ouch. She smiled back at him and then lifted her coffee cup. At that moment he thought: just as their relationship in school had been on his terms, their relationship now was on hers. But she’s more generous, he thought. She’s a better person.

When Jamie’s story is finished, Marianne goes inside and comes back out again with another bottle of sparkling wine, and one bottle of red. Niall starts unwrapping the wire on the first bottle and Marianne hands Connell a corkscrew. Peggy starts clearing away people’s plates. Connell unpeels the foil from the top of the bottle as Jamie leans over and says something to Marianne. He sinks the screw into the cork and twists it downwards. Peggy takes his plate away and stacks it with the others. He folds down the arms of the corkscrew and lifts the cork from the neck of the bottle with the sound of lips smacking.

The sky has dimmed into a cooler blue now, with silver clouds on the rim of the horizon. Connell’s face feels flushed and he wonders if he’s sunburned. He likes imagining Marianne older sometimes, with children. He imagines they’re all here in Italy together and she’s making a salad or something and complaining to Connell about her husband, who is older, probably an intellectual, and Marianne finds him dull. Why didn’t I marry you? she would say. He can see Marianne very clearly in this dream, he sees her face, and he feels that she has spent years as a journalist, maybe living in Lebanon. He doesn’t see himself so well or know what he’s been doing. But he knows what he would say to her. Money, he would say. And she would laugh without looking up from the salad.

At the table they’re talking about their day trip to Venice: which trains they should take, which galleries are worth seeing. Marianne tells Connell he would like the Guggenheim, and Connell is pleased that she has spoken to him, pleased to be singled out as an appreciator of modern art.

I don’t know why we’re bothering with Venice, says Jamie. It’s just full of Asians taking pictures of everything.

God forbid you might have to encounter an Asian person, Niall says.

There’s a stillness at the table. Jamie says: What? It’s clear from his voice and from the delayed pace of his response that he’s now drunk.

It’s kind of racist, what you just said about Asian people, Niall says. I’m not making a big thing of it.

Oh, because all the Asians at the table are going to get offended, are they? says Jamie.

Marianne stands up abruptly and says: I’ll go get dessert. Connell is disappointed by this display of spinelessness, but he says nothing either. Peggy follows Marianne into the house and everyone at the table is silent. A huge moth circles in the dark air and Jamie bats at it with his napkin. After a minute or two Peggy and Marianne bring dessert out from the kitchen: a gigantic glass bowl of halved strawberries with a stack of white china dishes and silver spoons. Two more bottles of wine. The dishes are passed around and people fill them with fruit.

She spent all afternoon halving these little bastards, Peggy says.

I feel so spoilt, says Elaine.

Where’s the cream? Jamie says.

It’s inside, says Marianne.

Why didn’t you bring it out? he says.

Marianne pulls her chair back from the table coldly and stands up to go inside. It’s almost dark out now. Jamie ranges his eyes around the table, trying to find someone who will look back at him and agree that he was right to ask for the cream, or that Marianne was overreacting to an innocent query. Instead people seem to avoid looking at him, and with a loud sigh he knocks his chair back and follows her. The chair tips over noiselessly onto the grass. He goes in the side door to the kitchen and slams it behind him. There’s a back door too, which leads down into the other part of the garden, where the trees are. It’s walled off from here, so only the tops of the trees are visible.

By the time Connell turns his attention back to the table Niall is staring at him. He doesn’t know what Niall’s stare means. He tries squinting his eyes to show Niall he’s confused. Niall casts a significant look at the house and then back at him. Connell looks over his right shoulder. The light is on in the kitchen, leaking a yellowish glow through the garden doors. He only has a sidelong view so he can’t see what’s going on inside. Elaine and Peggy are complimenting the strawberries. When they stop, Connell hears a raised voice coming from the house, almost a shriek. Everyone freezes. He stands up from the table to go to the house, and feels his blood pressure drop. He’s had a bottle of wine to drink by now, or more.

When he reaches the garden doors he sees Jamie and Marianne are standing at the counter, having some kind of argument. They don’t see Connell through the glass right away. He pauses with his hand on the door handle. Marianne is all flushed, maybe from too much sun, or maybe she’s angry. Jamie is unsteadily refilling his champagne glass with red wine. Connell turns the handle and comes inside. Alright? he says. They both look at him, they both stop talking. He notices Marianne is shivering as if she’s cold. Jamie lifts his glass sarcastically in Connell’s direction, sloshing wine over the rim and onto the floor.

Put that down, says Marianne quietly.

I’m sorry, what? says Jamie.

Put that glass down, please, says Marianne.

Jamie smiles and nods to himself. You want me to put it down? he says. Okay. Okay, look, I’m putting it down.

He drops the glass on the floor and it shatters. Marianne screams, a real scream from her throat, and launches her body at Jamie, drawing her right arm behind her as if to strike him. Connell steps in between them, glass crunches under his shoe, and he grabs Marianne by her upper arms. Behind him Jamie is laughing. Marianne tries to push Connell aside, her whole body shudders, and her face is blotchy and discoloured like she’s been crying. Come here, he says. Marianne. She looks at him. He remembers her in school, so bitter and stubborn with everyone. He knew things about her then. They look at each other and the rigidity leaves her and she goes slack like she’s been shot.

You’re a fucking mental case, you are, says Jamie. You need help.

Connell turns Marianne’s body around and steers her towards the back door. She offers no resistance.

Where are you going? says Jamie.

Connell doesn’t answer. He opens the door and Marianne goes through it without speaking. He closes it behind them. It’s dark now in this part of the garden, with only the mottled window providing any light. The cherries glow dimly on the trees. Over the wall they can hear Peggy’s voice. Together he and Marianne walk down the steps and say nothing. The kitchen light goes out behind them. They can hear Jamie on the other side of the wall then, rejoining the others. Marianne is wiping her nose on the back of her hand. The cherries hang around them gleaming like so many spectral planets. The air is light with scent, green like chlorophyll. They sell chlorophyll chewing gum in Europe, Connell has noticed. Overhead the sky is velvet-blue. Stars flicker and cast no light. They walk down a line of trees together, away from the house, and then stop.

Marianne leans against a slim silver tree trunk and Connell puts his arms around her. She feels thin, he thinks. Was she so thin before. She presses her face into his one remaining clean T-shirt. She’s still wearing the white dress from earlier, with a gold embroidered shawl now. He holds her tightly, his body adjusting itself to hers like the kind of mattress that’s supposedly good for you. She softens into his arms. She starts to seem calmer. Their breathing slows into one rhythm. The kitchen light goes on for a time and then off again, voices rise and recede. Connell feels certain about what he’s doing, but it’s a blank certainty, as if he’s blankly performing a memorised task. He finds that his fingers are in Marianne’s hair and he’s stroking the back of her neck calmly. He doesn’t know how long he has been doing this. She rubs at her eyes with her wrist.

Connell releases her. She feels in her pocket for a packet of cigarettes and a crushed box of matches. She offers him a cigarette and he accepts. She strikes a match and the flare of light illuminates her features in the darkness. Her skin looks dry and inflamed, her eyes are swollen. She breathes in and the cigarette paper hisses in the flame. He lights his own, then drops the match in the grass and compresses it under his foot. They smoke quietly. He walks away from the tree, surveying the bottom of the garden, but it’s too dark to make much out. He returns to Marianne under the branches and absently pulls at a broad, waxy leaf. She hangs the cigarette on her lower lip and lifts her hair into her hands, twisting it into a knot that she secures with an elastic tie from her wrist. Eventually they finish their cigarettes and stub them out in the grass.

Can I stay in your room tonight? she says. I’ll sleep on the floor.

The bed is massive, he says, don’t worry about it.

The house is dark when they get back inside. In Connell’s room they undress down to their underwear. Marianne is wearing a white cotton bra that makes her breasts look small and triangular. They lie side by side under the quilt. He’s aware that he could have sex with her now if he wanted to. She wouldn’t tell anyone. He finds it strangely comforting, and allows himself to think about what it would be like. Hey, he would say quietly. Lie on your back, okay? And she would just obediently lie on her back. So many things pass secretly between people anyway. What kind of person would he be if it happened now? Someone very different? Or exactly the same person, himself, with no difference at all.

After a time he hears her say something he can’t make out. I didn’t hear that, he says.

I don’t know what’s wrong with me, says Marianne. I don’t know why I can’t be like normal people.

Her voice sounds oddly cool and distant, like a recording of her voice played after she herself has gone away or departed for somewhere else.

In what way? he says.

I don’t know why I can’t make people love me. I think there was something wrong with me when I was born.

Lots of people love you, Marianne. Okay? Your family and friends love you.

For a few seconds she’s silent and then she says: You don’t know my family.

He had hardly even noticed himself using the word ‘family’; he’d just been reaching for something reassuring and meaningless to say. Now he doesn’t know what to do.

In the same strange unaccented voice she continues: They hate me.

He sits up in bed to see her better. I know you fight with them, he says, but that doesn’t mean they hate you.

Last time I was home my brother told me I should kill myself.

Mechanically Connell sits up straighter, pushing the quilt off his body as if he’s about to get up. He runs his tongue around the inside of his mouth.

What did he say that for? he says.

I don’t know. He said no one would miss me if I was dead because I have no friends.

Would you not tell your mother if he talked to you like that?

She was there, says Marianne.

Connell moves his jaw around. The pulse in his neck is throbbing. He’s trying to visualise this scene, the Sheridans at home, Alan for some reason telling Marianne to commit suicide, but it’s hard to picture any family behaving the way that she has described.

What did she say? he asks. As in, how did she react?

I think she said something like, oh, don’t encourage her.

Slowly Connell breathes in through his nose and exhales the breath between his lips.

And what provoked this? he says. Like, how did the argument start?

He senses that something in Marianne’s face changes now, or hardens, but he can’t name what it is exactly.

You think I did something to deserve it, she says.

No, obviously I’m not saying that.

Sometimes I think I must deserve it. Otherwise I don’t know why it would happen. But if he’s in a bad mood he’ll just follow me around the house. There’s nothing I can do. He’ll just come into my room, he doesn’t care if I’m sleeping or anything.

Connell rubs his palms on the sheet.

Would he ever hit you? he says.

Sometimes. Less so since I moved away. To be honest I don’t even mind it that much. The psychological stuff is more demoralising. I don’t know how to explain it, really. I know it must sound …

He touches his hand to his forehead. His skin feels wet. She doesn’t finish the sentence to explain how it must sound.

Why didn’t you ever tell me about it before? he says. She says nothing. The light is dim but he can see her open eyes. Marianne, he says. The whole time we were together, why didn’t you tell me any of this?

I don’t know. I suppose I didn’t want you to think I was damaged or something. I was probably afraid you wouldn’t want me anymore.

Finally he puts his face in his hands. His fingers feel cold and clammy on his eyelids and there are tears in his eyes. The harder he presses with his fingers, the faster the tears seep out, wet, onto his skin. Jesus, he says. His voice sounds thick and he clears his throat. Come here, he says. And she comes to him. He feels terribly ashamed and confused. They lie face-to-face and he puts his arms around her body. In her ear he says: I’m sorry, okay? She holds onto him tightly, her arms winding around him, and he kisses her forehead. But he always thought she was damaged, he thought it anyway. He screws his eyes shut with guilt. Their faces feel hot and damp now. He thinks of her saying: I thought you wouldn’t want me anymore. Her mouth is so close that her breath is wet on his lips. They start to kiss, and her mouth tastes dark like wine. Her body shifts against him, he touches her breast with his hand, and in a few seconds he could be inside her again, and then she says: No, we shouldn’t. She draws away, just like that. He can hear himself breathing in the silence, the pathetic heaving of his breath. He waits until it slows down again, not wanting to have his voice break when he tries to speak. I’m really sorry, he says. She squeezes his hand. It’s a very sad gesture. He can’t believe the stupidity of what he’s just done. Sorry, he says again. But Marianne has already turned away.