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The Art of Sinning by Sabrina Jeffries (16)

Sixteen

Three days after the ball, Yvette sat at a table in the drawing room at Stoke Towers, putting together kits of sewing materials for the women at her favorite charity and trying not to think of Jeremy. But when her distraction led her to drop yet another needle on the rug, she cursed under her breath.

“How many of those kits have you put together?” Edwin asked from his usual post, working on his account ledgers. “A hundred?”

“It seems like it, but it’s only been fifty. I promised them seventy-five.”

“Then I suppose it’s good that Keane hasn’t been here. Though God only knows when he intends to finish that portrait I’m paying him for.”

Yes, God only knew, because Yvette certainly didn’t. She hadn’t heard anything from the dratted man. Not. One. Word. The portrait didn’t worry her; it was the search for Samuel’s son that concerned her. She needed Jeremy for that.

Though that was all she needed him for. She’d had time to settle her emotions, to think through everything that had happened, and a marriage between them would never work. It simply wouldn’t. He was too . . . too . . .

Oh, what a liar she was! She missed him.

She still wanted him. And if she couldn’t have him as a husband, she might even settle for having him as a lover.

A blush heated her cheeks. Would she? She’d always sworn to steer clear of rogues, but he was no rogue. And he was the most exciting man she’d ever met. The most stimulating, and certainly the most intriguing. Why not share his bed? It wasn’t as if she had any impending proposals on the horizon. And the idea of never having a chance to be with him intimately—

Drat him. Surely he had to come back sometime. He had his other painting to finish.

She would have broken his rule and peeked at it, but not trusting her or the servants, he’d hidden it somewhere. Or more likely had handed it to Damber for safekeeping. Since the servant had rushed to London as soon as his master wrote to summon him, she had no idea where the painting was. For all she knew, Damber might have dropped it into the pond.

“Lady Clarissa Lindsey!” announced a footman.

Before Yvette could do more than blink, Clarissa breezed into the drawing room and threw herself onto a chair next to Yvette with wild abandon. The woman did everything with wild abandon—rode, sang, told outrageous stories that got people laughing. Despite her blond, green-eyed china-doll exterior, she was a hellcat in skirts, which was precisely why Yvette liked her.

And if sometimes a haunted look crossed her face, well, that was Clarissa, too. Yvette only wished she knew what caused it.

“Good afternoon, Clarissa,” Edwin said without looking up from his account books. His shoulders had gone rigid the moment she entered the room. They generally did. “To what do we owe the honor of this visit?”

“I’m not visiting you,” Clarissa said blithely. “I’m visiting Yvette.”

Edwin lifted his head, then his eyebrow. “I don’t see the distinction. The house belongs to me.”

Clarissa flashed him an arch smile. “That’s like saying that the palace belongs to the king, so no one can visit the princesses without visiting him, too.”

His gaze sharpened, and he lounged back against his chair. “Are you comparing me to the king?”

“Only if you’re bloated and red-faced and an aging debauchee. Which you clearly are not.”

“Goodness, no,” Yvette cut in, before Edwin could chide her friend for her rash words about His Majesty. “Edwin is the opposite of all those things.”

“Indeed. It’s his particular charm.” Clarissa turned to Yvette. “But I’m not here to talk about your brother.”

“Then I hope you’re here to help me put together sewing kits for the poor ladies at the charity.” Yvette pointed to a jar of needles. “Those have to be stuck through placards that we place in the kits.”

“Oh, very well.” Clarissa went to work on the needles. “And while I help you, you can tell me all about that artist fellow who’s doing your portrait. When you visited us the other day, you neglected to mention that he is so very good-looking.”

With a snort, Edwin returned to perusing his account books. But Yvette now noticed him rubbing the back of his neck. He did that when he was agitated. No doubt he was still worried about Yvette’s association with Jeremy.

As Yvette opened canvas bags, she weighed her words. “I suppose some would find Mr. Keane attractive. Assuming that one liked that sort of thing.”

“Oh, come now, he was handsome as sin in that costume, admit it.”

Yes, if Sin had an angel’s golden locks and glorious blue eyes. Jeremy certainly made Yvette feel like sinning. Recklessly. Thoroughly.

Often.

“It’s only because he has that American way of seeming carefree and wild. That can sometimes be appealing.”

“Sometimes!” Clarissa snorted. “I doubt he’s anything less than gorgeous at any time. I can only imagine how divine he must look in dinner attire.”

Divine, indeed. Yvette hoped she got to see him in it again. Or out of it. The sight of Jeremy in shirtsleeves had quite heated her blood. Just imagine if he were wearing nothing but—

“Don’t be vulgar,” Edwin said through clenched teeth.

Yvette nearly jumped before she realized her brother was speaking to Clarissa.

Her friend tipped up her chin. “Pray tell me, why is it vulgar for a woman to admire a man’s looks? Men admire women’s looks all the time.”

“Ah, yes, I forgot,” he said. “You aspire to be a man these days, complete with trousers and waistcoat.”

“Don’t tell me you’re angry that I didn’t consult you about my costume at the ball,” Clarissa said, an odd gleam in her eyes. “Really, Edwin, I didn’t know it mattered so much to you.”

Edwin scowled. “Don’t be ridiculous. I don’t give a farthing what costume you wear. You can dress yourself as a Turk, for all I care.”

“I’d much prefer to be the Turk’s harem slave,” Clarissa said sweetly. “Only think how much fun that costume would be. All those flowing, nearly transparent fabrics and flimsy pantaloons. I could wear some kohl around my eyes and show my belly, and practically ensure that I’m asked to stand up for every set.”

A curious flush rose over Edwin’s face. He stood abruptly, gathered up his account ledgers, and headed for the door. “Forgive me, ladies, I have work to do. You’ll enjoy your chatter more without me here anyway.”

As he walked out, Clarissa cast him a speculative look and said softly, “I sincerely doubt that.”

When he was gone, Yvette turned to her friend. “Why do you persist in taunting him so?”

A strange expression crossed Clarissa’s face before she shrugged. “It’s good for him. He’s too sure of his opinions and his place and his rules. Someone has to shake him up, and you don’t do it nearly as much as you should.” She leaned over. “Now, enough about your rigid brother. Tell me more about your Mr. Keane.”

“He’s hardly my Mr. Keane. He’s been in London ever since the ball.”

“He’s probably working up the courage to offer for you.”

“Not a chance. The man has sworn off marriage, though I don’t know why.”

“He’s an artist. And an American.” Clarissa stabbed a needle through a placard. “They’re mad, all of them. But handsome, I’ll grant you. You could have a flirtation with him. That would be such fun. As long as you’re careful, of course.”

“You mean, the way you were in Bath?”

Clarissa’s face darkened. “That was all Mama’s fault. She tried to turn it into something more despite my wishes.”

That had been the real reason for Clarissa’s abrupt return home. Some fellow in Bath had fallen madly in love with her, and Clarissa had apparently not returned the feeling.

“Anyway,” Clarissa went on, “according to Warren, you and Mr. Keane are already rather friendly.”

Yvette’s heart dropped. “What did Warren tell you?”

“It wasn’t what he told me, but what he asked me. He quizzed me about what you’d been up to lately, and how close you were to Mr. Keane, and whether I thought you could get into trouble with the man. He wouldn’t ask such things if he had no suspicions.” Clarissa cast her a knowing look. “He was very interested in your well-being.”

Yvette recognized that look. “For the last time, I am never marrying Warren, even if he would have me, which he wouldn’t.”

With a sigh, Clarissa poured more needles out of the bottle. “You can’t blame me for trying. My cousin desperately needs a wife, whether he acknowledges it or not, and if it were you, I’d have an ally whenever he becomes draconian in his restrictions.”

“I do sympathize. I’d hoped for the same thing with Jane. But she ran off and married Lord Rathmoor instead.”

“Silly woman. Edwin is miles more handsome than Lord Rathmoor.” When Yvette shot her a sharp glance, Clarissa added hastily, “Well, he is. But don’t tell him I said that. It will swell his head. And the last thing that man needs is more arrogance. Why, he couldn’t even lower himself to wear a costume at the ball!”

“He never does. Not even a domino.” Yvette shoved a folded piece of linen into a canvas bag. “And speaking of dominos, Warren didn’t ask you about how I came to be wearing your cloak, did he?”

“He did, but I told him what we agreed upon—that I had no idea. He assumes that you stole it for your own purposes.” She slanted a sly glance at Yvette. “Did you have your secret rendezvous with your secret friend whom you won’t tell me anything about?”

“I did. But it proved pointless.”

Clarissa turned serious. “Do take care, Yvette. For all my teasing about flirtations, this smacks of Lieutenant Ruston all over again.” Clarissa was the only person in the world, other than Samuel, who knew the details of that disaster.

“It’s nothing like that, I assure you.” Yvette focused her attention on folding a yard of wool. “My secret meeting was perfectly respectable. Besides, I’m much older and wiser now. I would never fall for the likes of such a rogue again.”

Clarissa looked skeptical. “If you say so.”

“I do.” Time to get Clarissa off dangerous subjects. Setting down the wool, Yvette stood and held out her hand to her friend. “Now, how would you like to see my unfinished portrait?”

It was after midnight when Jeremy carried a wooden box up the stairs and down the hall to his room at Stoke Towers, accompanied by the footman who was hauling his empty trunk up from storage. Jeremy had given the servant some story about why he’d come in the middle of the night to pack up his belongings, but it didn’t matter what the fellow thought. No footman would be fool enough to wake the family when they were all abed. So Jeremy ought to be safe until morning.

He meant to have his trunk ready to be brought down for when the servants rose, and then be waiting for the earl in the breakfast room early. That way he could explain his hasty departure without having to see Yvette, since she would undoubtedly rise later.

Coward.

Yes, he was. But he couldn’t face her one more time alone. And if she learned he was back, she would do her utmost to see him privately before he could escape.

The servant carried the trunk inside Jeremy’s bedchamber and accepted with a nod Jeremy’s overly generous vail. Once the footman left, Jeremy shut the door and set the wooden box down by the bed. He’d returned for two reasons—to retrieve his masterpiece, on the slim chance that he could complete it one day, and to tell the earl that he’d finished enough of Yvette’s portrait that he could put the final touches on it elsewhere.

Because he had to leave Stoke Towers. He’d thought it over the entire time he’d been in the city—engaging the Duke’s Men in Yvette’s search, visiting the exhibit . . . trying not to think of the woman who’d seized his cursed imagination.

The idea of being with her intimately consumed him. That little taste of her at the brothel hadn’t been nearly enough. He wanted to taste her again, to tease her and take her and school her in all the ways of pleasure he’d learned through the years. If he stayed here, he would almost certainly indulge those urges.

He would almost certainly ruin her.

Damn it, why had he no self-control around her? The last time he’d been unable to curb his prick, he’d been eighteen and in the throes of his first infatuation. Although, to be fair, as a young widow, Hannah had been as eager for their joining as he.

Indeed, she’d blamed herself for their first swiving once it had forced him into an untenable position. It was true that their affair might have ended then, if not for her becoming pregnant . . .

Thrusting the dark memory from his head, he strode over to the dressing table, dragged its stool to the large seventeenth-century oak bed, and climbed up to feel around atop the oak tester. His painting remained there, where he’d left it the night before they’d ridden off to the ball. He’d been storing it there every evening after he was done working.

He let out a breath. No one had discovered it, thank God. He’d figured they wouldn’t; he couldn’t imagine the servants cleaning atop the tester every single day, but it never hurt to be sure.

Dragging the canvas down, he propped it against the bed and examined it to assess his progress. He could make do with what he’d painted so far, since the Commerce figure was done, but if he left now, the Art figure would never be as good as he wanted.

Yvette had an elusive air he still hadn’t managed to capture, a blend of naïveté and sensuality that was the very essence of allegorical Art at its best. His depiction of her face just wasn’t right. It wasn’t entirely . . . her. And he wanted it to be her. It had to be her, whether it was recognizable to anyone else or not.

He slammed his fist against the bedpost. He didn’t want to leave his work undone. But neither did he want to leave her undone. And if he spent even one more night alone with her . . .

No, he couldn’t risk that. He wouldn’t risk her. Which meant he must go.

But not without his work. The difficult part would be getting it out before dawn, unnoticed. As long as he removed it before anyone saw it, they could never tie it to her. He’d painted her face in enough shadow that he was fairly certain she wouldn’t be recognized if he ever exhibited the work.

That was what the deep wooden box, made to the proper dimensions, was for. Since the paint was still wet, he couldn’t wrap the canvas up, so he’d needed the box to transport it in. He and Damber would have to carry it out very carefully.

Right now his apprentice was packing up the paints and other materials in the music room downstairs, which would take him a couple of hours. Then they’d figure out how to get the box outside without damaging the painting inside or being questioned about it. After all this, Jeremy wasn’t going to lose his masterpiece. One day he would finish it, damn it.

A knock came at the door that led to the servants’ passages. It had to be Damber, who occasionally enjoyed using the servants’ door to take him by surprise. The stupid boy thought that was a lark.

The lad probably just had a question, but on the off chance that some other servant was in the passageway, Jeremy grabbed his painting and climbed up on the stool to stow it back in its hiding place.

Then he returned the stool to the dressing table on his way to the door. “Damber, I told you—” he began as he swung it open.

The sight of Yvette waiting nervously in the passageway made his heart falter. Damn it all to hell. The one woman he’d planned to avoid.

Without waiting for an invitation, she slipped inside and shut the door, then had the good sense to latch it, since she wore her night rail and wrapper as she had during all their secret sessions.

It had been one thing for her to dress that way upstairs, but if she was found in his bedchamber dressed like that . . .

Oh, God. “You shouldn’t be here.”

“Don’t you think I know that?” When she spotted his trunk, she paled. “Thank heaven I retire late and my bedchamber window overlooks the drive. Because if I hadn’t heard the carriage pull up, I wouldn’t have come. And you would have left without a farewell.”

He forced himself to ignore her wounded tone. “I intended to speak to your brother in the morning before I headed off.”

“But not to me.” When he glanced away, unsure how to answer that, she added, “That’s what I thought. As usual, you’re running away.”

His gaze snapped back to hers. “I’m doing what’s best for us both. Surely you realize we’re playing with fire. The only way to stop it is to end our mad bargain.”

She edged closer, and her bedclothes swished about her like the veil of a bride, meant to tantalize, to tempt . . . to torment. Unfortunately, now that he knew what lay beneath them, it did exactly that. His prick strained against his trousers, making him swear under his breath and pray the dim light would mask his arousal.

“So you mean to abandon our bargain as well as abandoning us.” Her eyes accused him. “You mean to scurry off with your half-done paintings and leave me wondering about my nephew with no way to do anything about it.”

“I’m already making discreet inquiries on your behalf. When and if I learn something about the boy, I will visit and give you my report. During the daytime. Well chaperoned.”

That didn’t seem to satisfy her. Not that he’d thought it would. “And the paintings? What of those?”

“I’ll make do with what I’ve done so far in the case of Art Sacrificed to Commerce. The portrait is far enough along that I can complete it elsewhere.”

She clutched at the bedpost, as if to steady herself. “Am I that much of a trial to you that you can’t even bear to stay here long enough to finish them?”

“Yes,” he said bluntly. “I can’t control myself around you. I am used to doing what I want, taking what I want. But if I take what I want from you, it will be the ruin of you. And me.”

“Of you?” Her throat moved convulsively. “Why?”

“Because if I take your innocence, I will marry you, and I’m not made for marriage, sweetheart.”

She stepped closer. “Why?”

Thunderation, this was precisely what he’d wanted to avoid. “It doesn’t matter why. Just trust me when I say what I am. And what I am not.”

“How can I? You let me believe you a rogue because of some idea about what people would say concerning your art. You let me believe you didn’t care about me, when you did.” She planted her hands on her hips. “I think it’s time I stopped trusting the impression you give of yourself and start demanding that you tell me the truth. Since you’re breaking our agreement by running off in the dead of night, the least I deserve is an explanation about why you are so determined to avoid marriage.”

He gritted his teeth. “Fine. The truth is, I would make any woman miserable.”

“Why?”

“Damn it, stop asking that!”

A steely glint appeared in her lovely eyes. “Why?”

“Oh, for God’s sake,” he muttered.

“I’m not leaving until I get answers,” she said stoutly, and to his horror, she sat down on his bed. “I’m not going to let you run away from here, as you’ve run away from your family and your responsibilities. I want to know why, if you find me attractive and you enjoy my company, you are so afraid to—”

“I refuse to be the ruin of another wife, damn you!”

As shock lit her face, he cursed his quick tongue.

But it was out now, and he couldn’t take it back.

That is why.”

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