Celestial
Ours was a love story, the kind that’s not supposed to happen to black girls anymore. This was vintage romance made scarce after Dr. King, along with Negro-owned dress shops, drugstores, and cafeterias. By the time I was born, Sweet Auburn, once the richest Negro street in the world, was split in two by the freeway and left to die. Stubborn Ebenezer was still standing, a proud reminder of her famous son, whose marble tomb and eternity flame kept watch next door. When I was twenty-four, living in New York City, I thought that maybe black love went that way, too, integrated into near extinction.
Nikki Giovanni said, “Black love is Black wealth.” On a drunk night in the West Village, my roommate Imani tattooed this on her right hip, hoping for the best. She and I were both HBCU alums, so grad school was culture shock and dystopia at the same time. In art school there were only two of us who were black, and the other one, a guy, seemed to be mad at me every day for spoiling his uniqueness. Imani was in the same boat, getting her poetry degree, so we took jobs waiting tables at Maroons, a restaurant in Manhattan that specialized in black comfort food from all over the globe: jerk chicken, jollof rice, collard greens, and corn bread. Our boyfriends were our supervisors, smoldering men with colonial accents. Too old, too broke, and too handsome, they were as faithless as the weather, but like Imani said, “Black and alive is always a good start.”
Back then, I was trying to fit into the New York artsy scene. I was always on a diet, and I tried to stop saying “y’all” and “ma’am.” For the most part, I was successful, unless I was drinking. After three gin fizzes, all that Southwest Atlanta came pouring out like I never had an elocution lesson. Roy, back then, lived in Atlanta metro but only barely, renting an apartment so far out that he could hardly catch the R&B station on the radio. He worked a cubicle job that compensated him fairly well for agreeing to integrate their workplace. He didn’t like or dislike it; for him, a job was a means to an end. The travel part of it he did enjoy, since before signing on he hadn’t ventured west of Dallas or north of Baltimore.
Of course, I wasn’t aware of any of this when Imani seated his party at a big round table in my section. All I knew was that table 6 was a party of eight, seven of whom were white. Expecting him to be that kind of brother, I was all business. As I recited the specials, I could feel the black guy staring at me, even though the redhead to his left appeared to be his girlfriend, leaning toward him as she read the menu. Finally, she ordered a sorrel caipirinha. “And what will you have, sir?” I asked him, chilly as a tax auditor.
“I’ll have a Jack and coke,” he said. “Georgia girl.”
I flinched like someone slipped an ice cube down the back of my shirt. “My accent?”
All the people at his table grinned, especially the redhead. “You don’t have a southern accent,” she declared. “All of us are from Georgia. You’re all Yankee.”
Yankee was a white word, the verbal equivalent of the rebel flag, leftover anger about the civil war. I turned back to the black guy—we were a team now—and gave the tiniest of eye rolls. In response, he gave an almost imperceptible shoulder shrug that said, White folk gonna white folk. Then he leaned slightly away from the redhead, this time communicating, This is a work dinner. She isn’t my date.
Then, in words, he said, “I think I know you. Your hair is different, but didn’t you go to Spelman? I’m Roy Hamilton, your Morehouse brother.”
I never really bought into the SpelHouse mentality about us being brothers and sisters, maybe because I had been a transfer student, missing out on the Freshman Week rituals and ceremonies. But at that twinkle, it was as though we discovered that we were long-lost play cousins.
“Roy Hamilton.” I said the name slowly, trying to jog some sort of memory, but he looked too much like a standard-issue Morehouse man, the type who declared his business major in kindergarten.
“What was your name again?” He asked, squinting at my name tag, which read imani. The real Imani was across the room wearing a celestial tag.
“Imani,” the redhead said, clearly annoyed. “Can’t you read?”
Roy pretended like he didn’t hear her. “No,” he said. “That’s not it. Your name was something old timey, like Ruthie Mae.”
“Celestial,” I said. “I’m named for my mother.”
“I’m surprised you don’t go by Celeste now that you’re up here in New York City. I’m Roy, Roy Othaniel Hamilton, to be exact.”
At the sound of that middle name—talk about old timey—I did remember him. He had been a playboy, a mack, a hustler. All those things. My manager, who only yesterday insisted that he was not my man, cleared his throat. Game recognize game and all of that.
Is this nostalgia? Is this how it really happened? I wish we had taken a photo so I could remember how we looked later that evening standing outside the restaurant. Winter arrived early that year. Roy wore a lightweight wool coat, with a puny little scarf that probably came with it. I was bundled against the elements in a down coat Gloria sent me, so convinced was she that I would die of hypothermia before I finished my “artist phase” and came back home to get a master’s in education. Snow fell in wet clumps, but I didn’t tie my hood, wanting Roy to see my face.
Much of life is timing and circumstance, I see that now. Roy came into my life at the time when I needed a man like him. Would I have galloped into this love affair if I had never left Atlanta? I don’t know. But how you feel love and understand love are two different things. Now, so many years down the road, I recognize that I was alone and adrift and that he was lonely in the way that only a ladies man can be. He reminded me of Atlanta, and I reminded him of the same. All these were reasons why we were drawn to each other, but standing with him outside of Maroons, we were past reason. Human emotion is beyond comprehension, smooth and uninterrupted, like an orb made of blown glass.