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Cocky Director: Max Cocker (Cocker Brothers, The Cocky Series Book 15) by Faleena Hopkins (5)

Chapter 4

MAX

On the end of the fourth day of interviews I’m rubbing my eyes, sighing, “Holy fuck.”

The applicants who’ve paraded through this rented office space have been one big hell-no after another.

“I did a home movie once. It didn’t turn out so great.”

“I can only work Tuesdays. After ten. At night.”

“I’ll produce it if you give me the lead role.”

“What does a producer do exactly?”

“No, I didn’t read the script, but I’m sure it’s great.”

“I’m not drunk...why?

Replaying the memory to myself I answer, “Because you smell like you showered in Tequila, that’s why. Because you slurred the word, hello. Because you’ve got the attention span of a young child.”

To the ‘maybes,’ I’ve verbally pitched my screenplay so many times to the point where even I’m not excited about it anymore. Leaning back on the modern couch I rest my eyes. “There’s always tomorrow, Max, don’t give up.”

I hear the door open, but I’m not expecting anyone else. I slowly travel a discouraged gaze from the floor on up over black high heels, leather pants, and a light pink sleeveless blouse that flows when she moves. Waking up a little I ask, “Can I help you?

“I heard you’re looking for a producer.”

“Who’d you hear that from?”

She holds my interest as her graceful body slides onto the seat opposite me. I like her hair, a long bob with the front longer than the back. It’s dark brown, the ends dyed hot pink, brighter than the pale polish on her nails, the hue of her blouse.

“You’ve been interviewing people all day. I wondered what the job was. Saw someone leaving and asked what this was all about. We were fumigating so my boss rented one of the studios in this building, and I just finished up his books.” Leaning forward to set her purse down I get a good glimpse of her cleavage. Perky. I know that perked me up. Not sure if it was intentional but I wouldn’t be surprised if it was. “What’s your project? TV show?”

Sitting up in black slacks and a tucked in white button-up, top open, I reply a curious, “No. Do you work in TV?”

Sliding a long fingernail under her bangs she answers, “No.” We stare at each other a moment before she repeats the question, “What’s your project?”

“Do you have any experience?”

“I’ll tell you that when you tell me what you’re working on.”

“Okay, you’re interesting.” I glance away to gather the energy I’ll need to tell this story one more fucking time. “I’m making a movie. Doing it my way, my money. I don’t want investors because I don’t want anyone telling me how to do it. So if it fails then it’s on me.”

“On you and your team, you mean,” she corrects me, light brown eyes sharp.

“But they’ll be getting paid, I won’t. Not unless it makes money, and they’ll get a cut of that, too. I’m the only one who takes the hit. I don’t expect anyone to quit their jobs for this. It should be only three and half weeks if I get my way. But nobody’s working for free except me. In fact, I’m paying to work.”

“Feature or short film?”

“Feature length. It’s based on a story of something that happened to my dad when he was my age. He fell in love with a beautiful girl, a model.”

“And how is that interesting?”

Pausing I tip my chin. “You didn’t let me finish.”

“Go ahead then.”

Chuckling, “Gee thanks,” I continue, “The model was an addict. Cocaine, when he was with her. It got heavier later. He lost everything until his brothers stepped in and said enough. I want to tell the story. It’s not told often, and when it has been it felt empty to me. No real pain behind it. No heart. No reason why it all went down in the first place. How it got that bad.”

“We hear stories about addiction all the time,” she corrects me, crossing her other leg, the leather making the sexiest swoosh. “What’s new about it?”

But I’m so frustrated I’m at the end of my rope. “You know what…fuck it.”

“Why?”

Jumping up I head for the door to show her out. “It’s been a long week and your attitude isn’t what I need on my set. So why don’t you head back to your boss, your books, and do whatever it is you were doing.”

Turning in the chair she watches me but doesn’t get up. “Aren’t you charming?”

“I could say the same for you.”

“I’m trying to get a read on you.”

“You picked the wrong day.”

“What’s the movie about?”

“I just said what it’s about!”

“Why do you want to tell it? Why does it matter to you?”

Losing my temper I take a couple steps toward her. “Why should I tell you!? I didn’t invite you here. You didn’t submit your resume to me. I don’t have to tell you shit.”

She cocks an eyebrow. “You’ve got the passion of an artist.” Rising from the chair she walks to meet me in the middle of the room. “I want to know what it’s about because if I’m going to produce a movie at less than my normal pay-grade I need to care about it. And we’ve heard enough stories about addiction. I’m sick and tired of all the crazy shit an addict does when they’re high. I want something new. The people want something new. We’re smarter than the same old crap.”

I blink at her, because she hit home. “I believe that, too. But you misunderstood me. This story is new. It’s not about the addict. It’s about the people who love them. We never hear their stories. Not the way it really is. We don’t get to see the pain they go through loving someone who can’t stop and lies to their face every day. Who betrays them and their trust on a regular basis. The people who watch someone they love kill themselves day by fucked-up day. How much that hurts. How those people will do anything to save them, even if that means slowly killing themselves and their own futures in the process.”

Something changes in her eyes as she calmly stares at me. “Wow.” Walking to her purse she sits on the chair and takes out her lipstick, reapplying it and glancing back to ask me, “You going to just stand there or do you want to talk to your new producer about how we’re going to get this done?”

Frowning I stay where I am. “You haven’t read the script.”

“So I’ll read the script,” she shrugs with her back to me, hair shining in the light. “If you wrote with as much passion as you displayed just now, I’m not worried. Have a seat. Let’s get to know each other.”

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